|The Swamp Thing #7|
Written by: Ram V
Art: Mike Perkins
Colours: Mike Spicer
Letters: Aditya Bidikar
Published by DC Comics
Released – 8/9/2021
As we rejoin our friend in the swamp, we find him still entangled with Suicide Squad in the Kaziranga Forest. This is shown to great effect on yet another eye catching cover from Mike Perkins and Mike Spicer. Peacemaker and his ragtag band are the red taint here, surrounded by the imposing presence of The Swamp Thing who seeks to contain them, remove their blight from The Green and from Kaziranga. This thematic contrast used throughout the story so far is really effective and often adds an extra element to many of the scenes.
Following on from the cliff-hanger last issue, we find The Suicide Squad picking up the pieces, almost literally. Some darkly atmospheric and intense scenes which call to mind the finest moments of the Predator film lead us to the title page for ‘In My Infancy part 2’. It is at once fascinating, beautiful and perfectly executed. Striking and memorable title pages have been something of a signature for this series, and this is no exception.
As we read on and Swamp Thing tangles further with the remaining members of Suicide Squad, the action is interwoven with explorations of memory, previously used as a means of recovery and growth, now manipulated and exposed at the whim of Nightmare Nurse. As she peels back the layers, Levi is forced to revisit his relationship with father and brother, his alienation from his own people, his lingering torment… Through these sequences, it’s apparent that Levi’s inner battles rival any physical struggle he may encounter.
History, folklore and belief play strong roles here, with the impact of colonialism and industrialisation looming large. Part of the Guardian of The Green is tradition or memory but in Levi, it is also progress, a striving for something new and better. Between Nightmare Nurse and Chemo, we find both Levi and The Green attacked in more ways than one. Perhaps his unique perspective will enable Levi to face these threats as Swamp Thing in a way no other could.
Once again, from start to finish, this is superlative stuff. The writing, art and lettering all form a symbiosis wherein each inform the other, where words and art come together to create perfect comic book storytelling moments. It’s a book where we get to learn things, to investigate, if we are so inclined. There is an unusual geography here which is almost a character itself, especially when viewed through the lens of history and anthropology. This might sound like this is a dry, academic story but nothing could be further from the truth; every panel, every moment is exciting. It just so happens that there is substance supporting the action, the interactions.
Ram V’s dialogue and narration, brought to life through Aditya Bidikar’s always impressive lettering, bring us entirely convincing moments of human experience, enhanced ever further by pitch-perfect work from the art team. No matter if we are seeing Levi’s shared moments with his father or his struggle as Swamp Thing as he grapples physical horrors, we are always right there with him.
Through the work of this incredible creative team, we can experience something akin to synaesthesia as we read, take in images and turn pages. We get to smell, hear, feel, maybe even taste through drawings, colours and words of great quality and depth. This is a comic which takes us way beyond our world in the best of ways.
There’s a bittersweet sense building as I read and review this series; this is already issue 7 of 10. It’s therefore soon to end, and I’d really prefer it didn’t. I have every confidence that this limited run will be resolved in a satisfying way and yet I’m just as sure I’ll be left wanting more. It’s a great time to be into comics; there are plenty of good titles around. This is not just a good comic. It’s a great one. Read it if you can.
Review by Andy Flood, 12/10/21