Batman #118 – Review

‘The Abyss Part I: “Now it’s a Party!”’
Writer: Joshua Williamson
Art: Jorge Molina and Mikel Janin
Colours: Tomeu Morey
Letters: Clayton Cowles

Released: 07/12/21
Published by DC Comics

The team of writer Joshua Williamson and artists, Jorge Molina and Mikel Janin, kick off their 4-issue arc with ‘The Abyss Part I’. Coming off the back of Fear State, which was wrapped up last issue, the team are given the opportunity to tell a story of their own that isn’t bogged down by any crossover necessities. There isn’t even a backup story in this issue. For anyone who knows me, you can imagine how much that cheers me up! The end result is worth the cover price.

Williamson begins his story with a bit of playful fun, sending Batman off to deal with some gatecrashing robbers, at a billionaire’s fancy dress ball. It reminds us of just how sharp Batman is, always watching people, always taking note of the little things that most common people would never see. This skill comes into play at the back end of this issue too, as Batman surveys a crime scene in the aftermath of a supposed killing, involving a new villain called Abyss. We are not given much to go on with this character; just enough to create a sense of intrigue.

Williamson also does a good job of showing us what kind of man Bruce is throughout, which makes this particular issue a good place for new readers to begin their journey with the character. Seeing the interaction between him, Oracle and Nightwing, perfectly encapsulates what he is all about. Without a crisis to solve he seems lost. He has nothing to do but wait for something to kick off. You can almost sense the relief from him, as he avoids having to eat morning bagels with Dick and Barbara, while he runs off to Badhnisia to get stuck into a murder investigation.

The artwork here is simply gorgeous! Image after image, panel after panel, page after page: there’s nothing here that isn’t worthy of being cut out, framed, and hung on a wall. It’s just beautiful.

The theme of the aforementioned billionaire’s ball allows for some striking visuals. Tomeu Morey continues his work here on colouring duties, once again doing a marvelous job. A particular two page spread affords him the opportunity to go wild. I love the ways in which he lights a scene, almost like a movie’s director of photography. He is certainly one of the best in the business right now.

Batman #118 is an absolute delight! Of course, we will need to see where Williamson takes this story before a full judgment can be made, but if he continues to balance the playfulness with the intrigue, in the way that he does here, then we are in for a treat. If not, then you’ve always got some great pinup art for your wall!


Verdict –
Absolutely stunning artwork, from Jorge Molina and Mikel Janin, and a fun story that builds plenty of intrigue, from writer Joshua Williamson, really kicks off this new run in tremendous fashion!


Review by Bryan Lomax, 05/01/22

Detective Comics #1045 – Review

Detective Comics #1045

Writers: Mariko Tamaki (“Fear State: Nakano’s Nightmare Finale”) and Stephanie Phillips (“Foundations Part Two”)

Art: Dan Mora (“Fear State: Nakano’s Nightmare Finale”) and David Lapham (“Foundations Part Two”)

Colors: Jordie Bellaire (“Fear State: Nakano’s Nightmare Finale”) and Trish Mulvhill (“Foundations Part Two”)

Letters: Aditya Bidikar (“Fear State: Nakano’s Nightmare Finale”) and Rob Leigh (“Foundations Part Two”)
Released: 23/11/21
Published by DC Comics

In the final part of writer Mariko Tamaki’s story, ‘Nakano’s Nightmare’, Mayor Nakano must put aside his differences with Batman so that the two men might destroy the parasitic virus, originally unleashed by Hue Vile, which has been terrorizing Gotham. Then Stephanie Phillips delivers part two of ‘Foundations’, which sees Batman chasing down a deranged man intent on destroying any chance of rebuilding Arkham Asylum, only to be confronted with a surprise visit from a former member of his rogue’s gallery.

I’m glad to see Tamaki’s story finally being brought to its conclusion. Truth be told, this particular run feels like it has gone on a lot longer than it needed to, with a somewhat muddled direction. It started out with an interesting new villain in the shape of Vile, who was then sidelined to make way for Mr Worth, only to fizzle out here with a giant monster that is ultimately destroyed in such a way that ties it directly to a particular moment in time during the whole Fear State climax. This would all be fine, except it really does become very confusing to work out what has happened when, and why the events that have happened elsewhere in DC’s Batman comics haven’t had more of a direct impact on each other.

It’s next to impossible to see how everything that has been happening with Scarecrow, Simon Saint, Peace Keeper-01 and Miracle Molly, over in Batman, could possibly be weaved into all the story threads that have supposedly been happening at the same time over here in Detective Comics. It seems to me that Tamaki’s hands have been tied by the whole Fear State thing, and so we get a story that is fighting for its own identity, whilst being hampered by the need to tie in to the bigger picture.

Ultimately, having Nightwing show up at one particular point in the story is a big mistake, as this was Batman and Nakano’s story. It should have stayed that way. As it happens, I do like the character of Nakano, and the direction they seem to be heading with regard to his and Batman’s relationship is something that has been sorely lacking without the presence of Jim Gordon. This should begin to fill that void quite nicely. Although, yet again, I am reminded that certain information that Batman gives to Nakano surely should have been the very thing that got Bruce Wayne released from prison a considerable number of issues back. How does Nakano NOT know this already!

Despite my mixed feelings across this whole story-line, I would love to see Tamaki continue on Detective Comics now that she is free from the shackles of ‘Fear State’. Let’s see what she can do when she is allowed to remain self-contained. Also, Dan Mora’s artwork has certainly been a highlight throughout this run, so I would be more than happy to see him stick around.

With ‘Foundations’, writer Stephanie Phillips poses the question, “Is Arkham Asylum truly worth rebuilding?” After all, it can hardly be noted for it’s stellar track record in releasing flocks of cured patients back out into the world, ready to contribute to society. It’s a nice little page-turner, which has the feel of something that might have appeared within the pages of ‘Legends of the Dark Knight’, back in the nineties. As I read it though, I am struck by the thought, “what if Bruce Wayne put all the funding into a place like Arkham, making sure to hire the best mental health practitioners in the world?” Instead of dumping people like Scarecrow and Joker into Arkham, only to wait for their inevitable breakout, Bruce could use his resources to take a more active role in their recovery.


Verdict –

The end to Mariko Tamaki’s contribution to the ‘Fear State’ saga really does feel like a long time coming, perhaps ending with more of a, “meh”, than a, “hurrah”. But it sets up some enticing prospects for the future, whilst the second part of Stephanie Phillips’ ‘Foundations’ poses an interesting question, which only leads to more questions (in the best possible way).


Review by Bryan Lomax, 04/01/22

The Amazing Spider-Man #80 – Review


Amazing Spider-man #80

Written by: Cody Ziglar

Artwork by: Michael Dowling

Published by Marvel comics

KRAVEN GOD TIME!!! In case you didn’t see my last review (in which case, what on earth are you doing?) The all-new Spidey is all drugged up on kraven’s mystical hallucinogens and is running scared from a huge God like Kraven creature. The newest beyond chapter pulls no punches and throws you right into the action, so let’s dig in quick before it’s over!

Whilst entranced by the poison running through his veins, Ben Reilly is thrust into a flashback of sorts where we get two incredible splash pages done by artist Michael Dowling (whose art in this issue is especially gorgeous) where we get to see Ben Reilly’s greatest fear on show in front of his eyes; the feeling he’s nothing more than a hollow shell of Peter Parker (who is a clone of. So technically, y’know…he is) upon seeing the grotesque illusions, Ben plummets down into an alleyway where Kraven waits for him as he tells Spidey that the trial has only just begun.

Snap back to reality (oh!) where the beyond corporation is in a state as to where their Spider-man has gone when Ben’s personal supervisor Marcus receives a call from Ben’s girlfriend Janine, also in a frenzy about Ben’s disappearance, she proceeds to give Marcus a verbal whooping if the rear and tells him he better bring Ben back alright.

Ben is not alright. He wakes up in some dark room, surrounded by other kidnapped civilians (who he sees as weird anthropomorphic dudes). One of the civilians who was seen in the bar last issue, gives Ben some of Beyond’s wonderful hangover pills to discard the hallucinations in the funniest Spider-man scene in the last however long where Spidey adjusts to the animal creatures in front of him, its very funny. Read it.

After coming to his senses and getting of that room, Ben discovers that he’s on a huge cargo boat when Kraven attacks him in a pretty exciting fight. Ben eventually over powers Kraven, tossing him over into a vat of some sort of chemicals. Before Kraven can be apprehended however, he disappears into the mist. Never to be seen again, even though of course he will be seen again because he’s Kraven.

Spidey gets back to beyond tower and reunites with Janine and all is well in the Reilly household, but maybe not the Morales one. Chief supervisor at beyond Ms. Danger (brilliant name) prepares to send the new Spider-man to take out Brooklyn’s very own Web slinger!


As far as writing goes, I see no flaws with this issue. It’s tight witty and funny, everything The Amazing Spider-man should be in my opinion, props to Cody Ziglar! Art duties in the book were covered by the previously mentioned Michael Downing who delivers some really beautiful art in this comic so we’ll done to the beyond team, keep it up. Stay tuned for next issue’s spider throw down!!


Review by Leo Brocklehurst on 20/12/21

Top 7 Classic George Perez Comic Covers

A dark cloud has been cast up comic fans from all across the globe recently with the sad news of the impending retirement of the great George Perez.

If the retirement were under better circumstances for George then we have no doubt the same bravado would ensue, but alas it is not the case as it has been forced upon him by way of ill health. Tragically, it has become clear that it does not appear to be getting any better and one week ago CGC announced that on the 31st of January, George Perez would be holding one final, all be it private, signing session.

The impact and influence of George’s work upon the industry is legendary, his stories have become timeless classics and perhaps most impressively of all, many of the characters that he either created or redefined are still considered by many to be the definitive or standard setting versions, something that is backed up often in TV/Movie adaptations in recent years.

Comic Book Legend George Perez

This is the start of a short series of articles we will be doing looking at some of our favorite elements from his most popular works. We are looking today at our seven favorite classic covers this time, perhaps an artists best way of becoming a household name of course is doing a classic cover, and George certainly knows how to set us up with something alluring to behold on the shelf, so lets take a look…


#7

Logans Run #1 – (1977)

Perhaps its that totally awesome logo, or that mad dash out of the page that Logan and Jessica are doing in a remarkably Kirby-Kamandi like manner (Michael York-Mandi?), but anyway this cover has imprinted on many a readers memory. A fun little run too, if you like that kind of thing! We do!


#6

The New Teen Titans #1 – (1980)

Iconic to the core. Having all the Titans on the front was always a must, but that badass arrangement around Raven coming towards us as the poor green skinned cannon fodder that’s about to be pummeled would have been an eye catcher for any punter in the shop that day looking for a bit of new DC action.


#5

The Infinity Gauntlet #1 – (1991)

Just look at thing thing… I mean, flash forward thirty odd years and look around at the marketing used for the MCU, the designs on packaging for toys (good ones) and all manner of other things, this really has aged beautifully. Possibly more widely known now that it ever was back in the 90’s, its George’s ability to cram so much, so clearly and without any offence to the eye on any cover that continues to astound today.


#4

Wonder Woman #20 – (1988)

This one may have as much to do with the story than it does the cover art. Without giving much away ‘Who Killed Myndi Mayer’ was a great arc that came at just the right time in the Perez run, with us witnessing Diana’s continuing struggle to find her own moral compass within a confusing new world, and on the back of the grim murder of her eccentric and controversial publicist. This mock newspaper cover was just the right tone needed to carry the story forward, and always sticks out when flicking through the run and brings us to a brief stop, as we pull it out and go “Ah yes… Who was it who killed Myndi again?”


#3

Crisis On Infinite Earths #7 – (1985)

What needs to be said, arguably it doesn’t get more iconic than this. Its always been his most dramatic cover, that’s for sure. First we have that gut wrenching and hopeless pose from Superman, then there is the fact he’s holding his (spoilers) Supergirl, his dead cousin who is drooped in his arms with what on an initial look would be quite graphic injuries for a Superman feature cover from DC 1985. Then finally you have the wave of characters who mourn in the background, silhouetted like an army of the dead. It stinks of failure. Its perfect.


#2

The New Teen Titans #39 – (1984)

There were lots of quality stories going on within the New Teen Titans, but one that was perfectly reflected by its cover was that of issue #39.

Kid Flash, or Wally West rather, formally announces that he is leaving the team and soon after Robin announces that he too is giving up being Robin entirely. It has some subtle emotional twists in the narrative, and despite not being a true classic, it certainly delivers. Much like the cover, which reflects the narrative within really well. You are very much left with an empty feeling, possibly even upset upon finishing the read, and so when turning back to the cover Perez gives us a perfect summery. No background, no jokes, no care or nostalgia for their uniforms at all as Robins costume conveniently hangs rather ominously from the Titans logo. Dramatic indeed.


#1

Wonder Woman #36 – (1989)

I’ve read this run several times and I can’t for the life of me remember what part of the story this covers, however, it matters not. Just look at the cover. Perfectly capturing what feels like the essence of a character in one image. There are loads of brilliant Perez covers in his Wonder Woman run, many with Diana in battle of course, but this one stands out in particular for that incredible expression of harmless joy and the striking angular T pose as she leaps high above her home. This run had its really dark moments, but Perez knew how to treat us with iterations of these characters that we genuinely felt happy for when they were totally happy, and rare times they were indeed. It was the 80’s…



We Are Moving……. But Not Very Far!



It looks like 2022 is starting with a bang for us here at Wow Comix, as we have some news to share that affects those customers who visit our Bury store. 

We are moving! 
That’s right folks, the lease on our existing shop expires at the end of January and we have made the decision to move the Bury store into new premises. By the start of February you will find our brand new shop open within the indoor section of Bury Market (More details very soon).  

We’ve been lucky enough to find a shop space which suits us nicely, its a good size in a very busy market area and are we currently hard at work getting the place set up (More long box hauling!). Our current shop will close its doors this coming Saturday (8th January) and we hope to reopen on the 1st February in the new store. It sounds like short notice but negotiations have been going on for several months in the background and we need time to make the physical move. We have enjoyed our three and a half years up on the Rock but there is no time to get nostalgic as we will only be gone for three weeks before we open in our new shop! 

Say goodbye to our old store for one last time this week! Thanks for the memories 3, The Rock!

So…
Our store at 3, The Rock, Bury will be closing at 5pm on Saturday the 8th of January. 
– The new store down in Bury Market will be open on February the 1st.
– Existing orders for pickup off the website will be posted out instead over the three week period where we will not have a store open. We are offering this FREE of charge and you will be notified about it via email in the coming days.

– Any questions or enquires about the move and the new store please email to bury@wowcomix.com.
– Any concerns or issues in respect of pre orders and store pick ups please forward to info@wowcomix.com.


We are sorry for any inconvenience caused by all this as we know how much some of you enjoy coming in to browse on a regular basis, but rest assured that you will find all of the same comic goodness down at our new shop, and plenty of new stock to boot! 


Batgirls #1 – Review

BATGIRLS #1

Written by: Becky Cloonan and Michael W. Conrad

Art: Jorge Corona
Released: February 2022

Published DC Comics

Described on DC’s website as “the pizza slumber party you don’t want to miss,” this new six-part series by writers Becky Cloonan and Michael W. Conrad is filled with the kind of energy you’d expect to see at, well, a teenage girls’ slumber party!

Ever since Batgirl Cassandra Cain handed over the reins to Stephanie Brown (who, as Spoiler, kicked back teenage-rebellion-style at her criminal father the Cluemaster), fans have been eagerly awaiting a team-up of the two friends. Under the watchful eye of Barbara Gordon, the three move into an apartment on the outskirts of Gotham, away from the mysterious Seer and, hopefully, any criminals who might test their combined strengths. This being Gotham, it isn’t long until Cass has to take down a gang of thugs, leading her and Steph to a hide-out where they kick butt and face down a group of workmen who appear to be under some kind of hypnotic spell. Throw in a spate of murders and a suspicious looking neighbor, and it looks like the Batgirls’ plans for a discreetly led life are going to be short-lived.

This is a comic that will certainly appeal to younger female readers who will instantly identify with the personalities of the three main characters: in Cass we have the quiet, thoughtful one who won’t take things lying down (a nod to her backstory as a trained child assassin); Steph – dressed in her Spoiler costume — is the impetuous, fun-loving one; while Babs/Oracle is the level-headed leader of the group who tries in vain to keep her two friends from exposing themselves to the criminal underworld. Cloonan and Conrad know what make girls tick (or, for that matter, any teenager whatever their gender): Steph is as enthusiastic about who gets first dibs on the top bunk as she is about accompanying Cass on a crime-fighting night-time excursion, and the comradeship and excitement of three friends moving in together is shown through simple pleasures like sharing meals, goofing off and the freedoms offered by living independently from adult male interference.

As a father of twin 11-year-old daughters, I was completely onboard with this comic; it doesn’t patronise the target audience, the ear for dialogue is deftly tuned in to how teenagers actually speak, and the affection the characters feel for each other is beautifully realised through Jorge Corona’s impressive artwork; he captures the attitudes of the three perfectly, making them recognisable through a series of sideways glances, defiant scowls, and hesitant expectation (in one page, wherein Bab’s excitement at revealing the bat-bikes is matched by Cass and Steph’s disappointment on seeing them, the individual characteristics are illustrated so effectively, the scene would have worked even without dialogue). It’s also to Corona’s credit that he doesn’t resort to the anime-like frenetic expressions (jumping up and down, arms waving, etc.) that can sometimes render teenage characters silly; these three are all-business, albeit with a streak of fun.


But enough of this old man’s ramblings, this is what my daughters had to say about Batgirls #1:

“We liked Cass and Steph the most, and the bit with the bat-bikes was really funny. The story was gripping and the way the girls spoke was really cool, especially Steph’s sarcastic “Decisions, decisions” when Babs offers her a choice of Pot Noods or Pot Noods. Looking forward to the next issue!”


Reviewed by Christopher, Daisy and Robyn Witty


A Quick Guide To The New Pokemon TCG Sword & Shield: Brilliant Stars Expansion


Coming next month, it’s the new Brilliant Stars Pokemon TCG Expansion pack! Currently slated for a February 25th release, the set is based around the newly introduced VSTAR cards, which allow the player to evolve their Pokemon V cards in order to access higher HP, more powerful attacks and a brand new mechanic called VSTAR Power. VSTAR Power may consist of a strong new attack or ability, but the player may only use one VSTAR Power in the duration of the game.

As well as the new VSTAR Power attacks and abilities, Brilliant Stars also heavily features the Alpha Pokemon Arceus, which is undoubtedly due to its presence in the new Nintendo Switch game, Pokemon Legends: Arceus. Arceus will receive both a V and VSTAR card in the Brilliant Stars set (in both half art and full art formats), as will Charizard (again in half art and full art formats), Shaymin and Whimsicott. These four Pokemon also feature on the Brilliant Stars booster pack artwork, however the VSTAR cards won’t be limited just to this select group, as both Leafeon and Glaceon are set to receive special VSTAR collection boxes.

While much of the card list for Brilliant Stars is still being kept under wraps, from looking at the card list for its Japanese counterpart, Star Birth, we can see the likes of Pokemon such as Raichu, Lapras, Lucario, Floatzel, Luxray and numerous others may be making an appearance. Moltres has been confirmed to be featured in Brilliant Stars and although it doesn’t seem to be receiving a VSTAR or V card, it’s still looking pretty fired up!

It is quite strange to think that Brilliant Stars is the NINTH Pokemon Sword & Shield Expansion Pack (where has the time gone!?) but with over 170 new cards on the way it seems that Pokemon TCG players and collectors alike are going to have their hands full for a long time yet!


Written By Emily Carney

Fantastic Four: The Prodigal Son #1 – Review

Fantastic Four: The Prodigal Sun #1

Written by Peter David
Art by Francesco Manna
Released: September 2019

Published by Marvel Comics

Back in the summer of 2019 when comics were plentiful, the Marvel universe welcomed Prah’d’gul (or Prodigal according to mishearing Ben Grimm) in three one-shot comics where our young visitor from space bumps heads with three of Marvel’s mainstream titles.

First up it’s the Fantastic Four, who at the time of publication had only just returned to Earth after a few years of unpublished adventures in an alternate dimension and were busy settling into the early stories of Dan Slott’s excellent monthly run.

Prodigal crashes in the Savage Land, a prehistoric jungle hidden in the Antarctica much loved by the X-Men and populated by Dinosaurs and various warring tribes of pre-agricultural types. Our hero barely has time to pull a dramatic pose before he’s eaten by a T-Rex who must lie in wait for crashing spaceships, so often do they occur in this supposedly secluded paradise. (This is a great recurring gag in Brian Michael Bendis’ New Avengers. Pause while I go and re-read the first few issues.)


Unfortunately for Rex, Prodigal is hard mouthful to swallow and he’s quickly exploding his way out and being proclaimed a God by the locals. This suits him fine and he’s soon got his new congregation looking for a replacement spaceship and stirring up trouble with the neighbouring tribes. It’s a quick start, but one-shots don’t let you hang around and soon enough Ka-zar and Shanna, the underdressed Heroes who rule the Savage Land, have got the FF on the phone asking for help getting rid of the troublesome interloper. Cue action.


Peter David knows his game and keeps the script light and frothy with plenty of jokes. The classic superhero meet-cute fuelled by misunderstanding and bravado is played for laughs but soon begins to wear thin. It’s all a bit one-note and silly and Prodigal mainly comes across as an arrogant jerk complete with annoying catch-phrase. Unfortunately, the limited page count doesn’t give him much opportunity to redeem himself. Perhaps in the following instalments we see a bit more of his character. A bit of mystery would have been welcome too.
There’s time for a touch of perfunctory back-story but the few lines we get doesn’t sound that original or exciting. Mostly this is all just an excuse to showcase Prodigal’s fairly conventional superpowers, which in world full of superheroes isn’t that interesting. Even the Fantastic Four don’t really get that much to do. Reed and Sue get a few nice moments but The Thing and Human Torch are barely in it. I think Johnny Storm gets one line.


Francesco Manna art is solid and dependable if a little short on the spectacular. Again, I think the limited page-count doesn’t give him a chance to really shine. There was a real missed opportunity to draw an exploding Tyrannosaur, which I’m sure he would have enjoyed. But no room for it. Shame.
Next up for Prodigal it’s back into space and if the cover is to be believed it’s a zero-gee dust-off with the Silver Surfer while a ringside Galactus places his bets before a final meeting with the Guardians of the Galaxy rounds off the trilogy. After that, who knows? Did Prodigal become a regular somewhere? Did he become interesting? Maybe I’ll look online to find out. Then again.


Verdict
Mostly fun but ultimately a conventional intro for a conventional character. Prodigal didn’t really excite and I don’t think the FF gained much by being in it. Next time Ka-zar calls you Reed, send the reserves and save yourself the bother.


Ross Kelly
30/12/21

Conan The Barbarian #1 (1970) Facsimile Edition – Review

CONAN THE BARBARIAN #1

Written by: Roy Thomas
Art: Barry Smith
Released: December 15th 2021
Published Marvel Comics

A facsimile of Conan the Barbarian #1 originally published by Marvel in October 1970.

For those unfamiliar with Robert E. Howard’s original stories published in Weird Tales from 1932, this is a great way of introducing one of pulp fiction’s most enduring characters to a new generation of readers. Writer Roy Thomas begins Conan’s story with the briefest of background information, welcoming the reader to the Hyborian Age placed somewhere between “the sinking of Atlantis and the dawn of recorded time.” At the back of the comic is The Hyborian Page, which goes into more detail about the world Howard created and, like all good works of fantasy, includes a half-page map indicating the various lands and kingdoms.

From page 2 it’s straight into the action with the youthful, mercenary Conan fighting alongside the Aesir against the invading Vanir. With the promise of more gold, Conan helps Olav — an Aesir chief — pursue two high-ranking Vanir warriors. Their search leads them to a shaman in possession of a Star-Stone, a cosmic jewel that can bring forth visions of both the past and future; it’s a neat narrative trick by Thomas that allows the reader to learn more about Conan’s past, while offering a glimpse into what will become of him.

Hyperbole and the heroic language associated with tales of sword and sorcery is a staple of the Marvel Universe, particularly in Thor and Tales of Asgard, so the world of Conan already feels like a natural fit for a comic book adaptation. Respectful of the source material, fans of Conan will appreciate the efforts Thomas has gone to in retaining the authentic dialogue (“By Crom!”) and imbuing in Conan the grey area that all great anti-heroes hold; he makes it clear that Conan is a mercenary first, but whose moral compass is such that he will still fight for what he believes is right over monetary gain. Barry Smith’s artwork is lively, breathing life into the battles scenes without resorting to the bloodshed that spattered the pages of Howard’s stories, while the various warriors, sorcerers and winged monsters will be instantly recognisable to those whose tastes lean towards fantasy. The lettering by Sam Rosen highlights key words, drawing attention to the names of the tribes and places that are all important when building an imaginary world, though in some panels this world-building would have benefited from more background detail by Smith rather than using blocks of colour.


Overall, this is a fine adaptation, as satisfying to a Howard reader as it is accessible to a newcomer to Conan’s world, serving as both a gateway for those who want to explore further and a homage to the pulp stories that inspired the likes of Stan Lee, Jack Kirby and, of course, Roy Thomas.


Review by Christopher Witty

NEW YEARS SALE ON WOWCOMIX.COM!

To help ease the pressures of it being 2022 (already, blimey!), this January we are offering up a bumper sale on Wowcomix.com!

You will find graphic novels with up to 70% off and up to 40% off comics, alongside discounts on vintage card sets, books and classic British annuals!

Whats more, throughout January, any purchase made over £5 in value will be eligible to be accompanied by a free Marvel comic or poster! All you have to do is make sure that you state which one you would like in the additional comments section of the checkout. If you don’t state, we will send you one anyway, and if you don’t want one then you just have to say. But are you gonna turn down a free comic!? Really?