THE HALL OF WOW – March Inductees


Each month our team of writers each submits a classic or modern cover that they deem worthy of entering into the esteemed HALL OF WOW. At the end of each month, we ask our loyal followers over on our Wow Comix World Facebook page to vote on their favorite as part of our big giveaway!

See the inductees for March 2022 below!


9

The Amazing Spider-Man #75 – 1969 – Cover by John Romita

A fine reflective picture of a weary Web-Slinger. Truly iconic 

Chosen by Taz Maz


10

Silver Surfer #4 – 1969 – Cover by John Buscema and Sal Buscema

The ‘Sky-Rider of the Spaceways’ faces Thor on Buscema’s classic cover.  This depiction of a showdown on Asgard’s rainbow bridge stands as a great example of dynamic action, pose and character design.  Each instantly recognisable and very much a signature of one of the old masters.  Check out ‘How to Draw Comics the Marvel Way’ if you want to see how he worked his magic.

Chosen By Andrew Flood


11

Wonder Woman #600 – 2010 – Cover by Adam Hughes

There are no women like Adam Hughes women, and there are no covers like homage covers. Slap ’em together, and you get this stunning image. The already fantastic cover to Sensation Comics #41 is impeccably reworked by master artist Adam Hughes in a cover that no comic book fan could resist putting on display, and a fitting reward for readers of Wonder woman issue 600.

Chosen by Leo Brocklehurst


12

Unwritten#43 – 2013 – Cover by Yuko Shimizu

Could have picked any cover from this series. Shimizu drew them all and every one of them was brilliant!

Chosen by Ross Kelly


13

Tomb of Dracula #1, April 1972 – cover by Neal Adams

A cover that perfectly captures the over-the-top drama and the stunning artwork of the Bronze Age revival of horror comics, following a slight loosening of what the Comics Code would allow. Each issue of this series is a perfectly balanced blend of tense, dark atmosphere and melodramatic histrionics and this cover represents that perfectly, the helpless blonde in a classic Lugosi style Dracula’s arms with an eerie backdrop of forest, castle and moonlight. And that logo is just absolutely timeless!

Chosen by Nathan Harrison


14

Batman #496 – Cover by Kelly Jones

I’ve never been a fan of Kelly Jones’ artwork if I’m being perfectly honest. Which is why I have to give him credit for this brutal and haunting image from his Knightfall cover gallery, in which, the ghost of Jason Todd cries out for vengeance from beyond the grave. But is it a ghost or merely an expression of Batman’s guilt-ridden conscience? Pain, sorrow, guilt, justice, vengeance, anarchy, chaos: all of these things are happening here!

Chosen by Bryan Lomax


15

BATTLESTAR GALACTICA: DEATH OF APOLLO #5 – 2015 – Mike Meyhew

This watercolor from Mike Meyhew is simply stunning. From a technical standpoint, it’s flawless. The color pallet, the postures, framing, and just how beautiful are those stars!

Thematically, it evokes an emotional depth in which the run itself just missed out on delivering, but given the title, any BSG fan would feel a lump in their throat seeing a scene such as this on the cover.

Chosen by LJ Marshall


16

Action Comics #393 – Oct 1970Cover by Curt Swan

It’s action, suspense, and a key question: why would a kid want to stop Supes from saving his father?

The added bonus of “How Superboy Became Superman” makes this a must-read 

Chosen By Liam Ashby


That’s it for this week! Some fine pick’s there from our review team!

Have you got any of these classic covers? Which of this week’s selections would you vote for!? Let us know in the comments! And don’t forget that you can see all of the HALL OF WOW featured covers by heading over there right now in the menu above!


Action Comics #1035 – Review

There are some huge moments within this issue, and the team have delivered some pitch-perfect work here. It’s a gripping and satisfying end to an excellent story…

Written by: Phillip Kennedy Johnson (Superman), Sean Lewis (Tales of Metropolis)

Art: Daniel Sampere (Superman), Sami Basri (Tales of Metropolis)
Colours: Adriano Lucas (Superman), Ulises Arreola (Tales of Metropolis)
Letters: Dave Sharpe (Superman & Tales of Metropolis)
Published by DC Comics
Released – 28/9/21

The sixth and seemingly final part of the ‘Warworld Rising’ saga brings us a cover depicting ‘The Goodbye!’, words which can be read in a number of ways, as we see Superman leaving not only Lois and Jon but the Justice League too, if the headline on the paper at Jon’s feet is to be believed. In the wake of events during the stand-off between Atlantis and the surface dwellers, this is not too surprising. It’s a great cover from Daniel Sampere and Alejandro Sanchez, capturing the emotional departure of Superman perfectly.

Reading on and we’re straight into the action as Jon and Supergirl take on Thao-La while Superman whisks Lois to safety. The ensuing explosive battle is complicated further by Mongul’s ongoing insidious interference and eventually leads to Clark seeing this particular nemesis face-to-face.

As Superman and family have a brief respite to recover from the events set in motion by Mongul, discussion turns to what happens next, both within his family and with his ‘other family’, the Justice League. The League visit the Fortress to check on all concerned and confirm that, as things stand, they cannot accompany Superman to Warworld. Batman and Superman share a quiet word, alluding to a second team (this further outlined in Batman/Superman and The Authority #1) while Bruce expresses concern for his friend, Clark.

What follows for the rest of this final chapter are emotional scenes of farewell as Clark says goodbye to Jon and then Lois ahead of his departure for Warworld, with his backup team being fully revealed on the closing page.

In writing this series, Philip Kennedy Johnson has always done an incredible job of balancing plot and character development with spectacular action scenes. We have a huge amount going on each issue and yet never feel overwhelmed. He’s a talented storyteller, juggling a good number of characters, settings and events and weaving a cohesive whole as he goes.

Meanwhile, Dave Sharpe has always supported and enhanced the work of each writer on both main and back-up titles through clear, clever and effective lettering and this issue is no exception. It’s always a pleasure to read when Mr. Sharpe is helping guide our way.

Further guiding us are the excellent panel layouts, which hold some of the most striking art you could hope to see in a superhero title. Daniel Sampere conveys super humans in really effective ways, with dynamic poses, judicial use of exaggerated anatomy and clean, confident line work. The end result is stunning, especially when paired with gorgeous colour work from Adriano Lucas. This issue in particular is a stand-out one for Mr. Lucas, as he takes the spectrum and makes it his own, using light to reinforce the emotional impact of each scene.

There are some huge moments within this issue, and the team have delivered some pitch-perfect work here. It’s a gripping and satisfying end to an excellent story.

Replacing Midnighter as the backup story is ‘Tales of Metropolis’. Our first tale is ‘The Guardian’, brought to us by a team who seem ready to have a lot of fun. In this opening story, they mine the rich vein of urban myth and folklore and emerge with something very much of the present day. We join Jimmy Olsen in detective mode, with trench coat to boot, as he investigates stories of kids getting involved in something called the ‘Cloud Game’ and subsequently going missing.

It’s clear something dark and dangerous is afoot, and so he enlists the help of Guardian. As more kids fall prey to the high-tech ouija board and the malevolent villain Dismember, Olsen and Guardian race to save them and stop the situation from getting worse.

This is a strong opener for Tales of Metropolis. The story is fast paced and well written, with convincing dialogue and a good sense of character from the pen of writer Sean Lewis. Olsen’s narration via internal monologue works well here, serving to take us down those mean streets of Metropolis with him as he searches for the missing kids.

Art is dynamic and expressive, with a clean, well executed style which renders the characters in a really pleasing way. As I look at Sami Basri and Ulises Arreola’s work, I see some hints of manga/anime influences blended in with a distinctly modern western style and, especially when considered along with the colours, the art could easily be the basis for the look of another run of animated shorts (Tales of Metropolis was a series of animated shorts featuring some of said city’s more notable characters). Basri’s characters are lively and engaging, and each panel has gorgeous and vivid colours from Arreola, making for a great first outing.


Verdict

Here’s an issue where we see the close of one story and greet the start of another. It’s an easy recommendation, as the closing of Superman’ story contains some unforgettable and classic moments. Meanwhile, the new Jimmy Olsen and Guardian tale has plenty to offer and feels both a contrast and compliment to the lead story. Action Comics remains a really nice title in the DC lineup. If you haven’t done so before, consider jumping on board, as new storylines begin.

(Suggested ages 13+ by DC)


Review by Andy Flood, 26/10/21

Action Comics #1034 Review

We pick up with Lois facing off against the Warzoon, fanatical followers of Mongul. She is joined in the fray by Thao-La, who is still trying to cast off the influence of her tormentors. Things quickly descend into chaos…

Action Comics #1034
Review by Andy Flood

Written by: Phillip Kennedy Johnson (Superman), Becky Cloonan & Michael W. Conrad (Midnighter)

Art: Christian Duce (Superman), Michael Avon Oeming (Midnighter)

Colours: Adriano Lucas (Superman), Taki Soma (Midnighter)

Letters: Dave Sharpe (Superman & Midnighter)
Published by DC Comics
Released: 24/8/21

‘Attack on the House of El!’ is the dramatic tagline emblazoned on the cover of Action Comics #1034 and it’s paired with some equally eye catching artwork from Daniel Sampere and Alejandro Sanchez. Our gaze is first drawn to a high angle shot of Superman as he makes a shocking discovery then to two figures looming large in the shadows above; Thao-La, seemingly thrall to Mongul.

For those following the story so far, this will act as a clarion call to open up and read on, as events leading to ‘Warworld Rising Part 5’ have been building up to something big. Maybe that something big is starting to happen? We pick up with Lois facing off against the Warzoon, fanatical followers of Mongul. She is joined in the fray by Thao-La, who is still trying to cast off the influence of her tormentors. Things quickly descend into chaos.

Meanwhile, Superman still seeks to resolve mounting tensions between the surface dwellers and Atlantis. His chosen actions here will no doubt have consequences in the future… What follows is a frantic return to the Fortress once Superboy, Supergirl and Superman share the joint realisation that all is not well. What unhappy fate awaits them?

This issue, while having cover art from Sampere, features a new interior artist, Christian Duce. Immediately, his work dazzles with dynamic figures depicted in hyper-kinetic scenes of battle. Paired with the always excellent eye-candy colours of Adriano Lucas, this issue is a visual feast. While Duce retains the feel of Sampere’s work on previous issues, he leaves his own mark here with panel after panel of action and excitement. At one point, we even get a double page splash which is hugely memorable and entirely ‘Superman’. Sound effects are writ large throughout and the emotional impact of Phillip Kennedy Johnson’s superb story is shown to great effect in the close shot panels. It must have been intimidating to take over from Daniel Sampere, but Duce has done so with style.

Johnson’s writing on this series has been impressive throughout, controlling pacing with an expert hand and guiding us through quick fire events with a clear sense of where he is leading us. He knows when to let the action speak for itself while also being a fine judge of just how much to build the tension and suspense. There’s always a feeling of even more things to come, which is one of the elements that can be most enjoyable when reading comics.

As we rejoin Midnighter and Miracle Man in the recursive time loop events of ‘The Passenger’, we see them busting their way through Trojan’s complex. They wise crack as they go and trade on one another’s strengths and abilities as they tackle obstacles and crazy cultists. Their dialogue is great fun to read as they move from one crazy panel to the next.

This action-packed chapter is a great showcase for the talents of the creative team to shine through. Seeing great writing come together with bold, inventive art and create a unique experience for us readers is something I always look forward to when opening a new issue of a comic. The Midnighter team really deliver some great entertainment here and the mutual respect the creators have for one another’s input is always readily apparent.


Verdict

Action Comics reliably delivers two immensely enjoyable stories, both with a different feel, both equally cool. There’s page after page showing what super hero comics can offer and it will no doubt please fans both old and new. It is, once again, highly recommended. Now to look forward to both issue #1035 and the Midnighter Special, where his story concludes!


(Suggested ages 13+ by DC)

Review by Andy Flood, 07/09/21

Action Comics #1033 Review

Everything about issue #1033 of Action Comics impresses, from cover to closing page… 


Review by Andy Flood

Written by:
Phillip Kennedy Johnson (Superman),
Becky Cloonan & Michael W. Conrad (Midnighter)
Art: Daniel Sampere (Superman), Michael Avon Oeming (Midnighter)
Colours: Adriano Lucas (Superman), Taki Soma (Midnighter)
Letters: Dave Sharpe (Superman & Midnighter)
Published 27/7/21Published by DC Comics

The first notable thing when picking up this issue is the new logo.  It’s been overhauled by Darran Robinson, who has done a great job of encapsulating (in his words) 82 years of history.  It’s a logo with a modern feel which still manages to echo ages past.  The cover title ‘Under Siege’ refers to some of the story to follow and pairs well with further clues reflected in the excellent cover art.

The cover is handled on this occasion by the team of Daniel Sampere (also interior artist) and Alejandro Sanchez (colours).  We have Superman in a determined pose, framed by Thao-La and a great depiction of Lois channeling strong ‘Ripley from Aliens’ vibes (foreshadowing a great scene she has later in the book).  All this is set against the backdrop of Atlantean preparations for war.  Anyone who has been reading thus far will know by now that tensions are mounting.  It’s another great cover for this run, promising a good read.

And it’s no empty promise; there’s a lot to take in during this issue, with events moving pretty quickly.  ‘Warworld Rising Part 4’ opens with scenes of espionage, as we witness two high-tech camouflaged figures infiltrate the crashed alien ship held by the Atlanteans.  It’s a really atmospheric sequence, which leads us headlong into a face-off now made considerably worse.  As the Justice League debate events and the best course of action (in itself making for some very cool pages), Jon and Lois are meanwhile trying their best to accommodate the refugee Thao-la as she struggles to adjust to her new situation.  Tensions soon escalate even further, as the surface forces of Earth and the Atlanteans teeter on the brink of war and the Warzoon attack Thao-La at the behest of Mongul and his cronies.

If this sounds like too much to take in, fear not; Phillip Kennedy Johnson has done a fine job of making sure we are never lost, instead providing us with a truly enjoyable thrill ride.  He delivers on the promises of both the cover and events of preceding issues while keeping multiple plates spinning in truly entertaining fashion.  The dialogue is superb throughout, often being highly emotive, and we are with both him and the characters every step of the way until the closing panel.

Daniel Sampere’s art is, once again, just what the book needs.  He gives us dynamic action, imposing superheroes and dark, mysterious bad guys.  He etches lines of tension into the character’s faces, and draws us further into the drama unfolding.  There are numerous occasions throughout this issue where a feeling of Sampere’s original pencils shine through, something I personally love to see, as the shading lines and contours are further enhanced by subsequent inks and colours.

And what colours they are!  Once again, Adriano Lucas treats us to hugely atmospheric palettes, always giving us a firm sense of place and expanding our levels of excitement.  The colours are bright and dynamic and support the story perfectly.

We have more excellent colours from Taki Soma as we move on to the Midnighter story in this issue.  Her choices are always fresh, and support Michael Avon Oeming’s  striking art in a hugely complimentary fashion.  The writing duo of Becky Cloonan and Michael W. Conrad have written a story which showcases the strengths of the medium.  It’s high concept and has a touch of the bizarre yet the creative team work together so well that it entertains and impresses each and every time.

The pairing of Midnighter and Mister Miracle works very well here and introduces a comedic element that plays well through their dialogue as the action unfolds.  It’s another jam packed instalment, and the creative team here ensure that every panel pops and every line engages.  This Midnighter run feels very new and fresh and serves as a great companion piece to the lead story.

Dave Sharpe letters both stories again and, as ever, his work is clean, clear and well considered.  It really makes a difference when a comic is as easy to read as it is to look at or scan over.  Thank you, Mr. Sharpe!


Verdict

Everything about issue #1033 of Action Comics impresses, from cover to closing page.  We have two excellent companion titles to enjoy and are spoilt by a wealth of great art and storytelling.  It’s one of those comics which has you reading along thinking, “what happens next?” while feeling no small dose of excitement.  If you haven’t done so already, give Action Comics a try.  There’s a lot to like here.


(Suggested ages 13+ by DC)

Review by Andy Flood, 02/08/21


Action Comics #1032 Review

Colours from Adriano Lucas are just as striking as the cover and deliver page after page of spectacle.  There are some huge moments in this issue, and they are executed with style.

Action Comics #1032 Review By Andrew Flood


Written by: Phillip Kennedy Johnson (Superman), Becky Cloonan & Michael W. Conrad (Midnighter)
Art: Daniel Sampere (Superman), Michael Avon Oeming (Midnighter)
Colours: Adriano Lucas (Superman), Taki Soma (Midnighter)
Letters: Dave Sharpe (Superman & Midnighter)


Storm swept seas are the stage for a titanic battle on this issue’s cover.  Mikel Janin has produced another excellent cover here, with both Superman and Aquaman really popping against the backdrop of their gargantuan foes.

Once inside, we rejoin the story inside the Fortress of Solitude, where Supergirl and Lois continue to unravel the mystery of the refugees.  Along with Superman, they try to talk to one of the survivors and reassure her.  These scenes show some of the strong empathy and kindness which make these characters both endearing and relatable.  Meanwhile, events take a more sinister turn in Atlantis as the mystery shard is investigated, leading to a huge crisis and hinting at more terrible things to come.


While Superman is paying a visit to another member of the Justice League requesting help, they hear of a new threat (resulting from the events in Atlantis).  A spectacular and truly epic battle ensues, during which Superman uncovers more pieces of the puzzle.  An unexpected arrival in the wake of this battle leads to hints of even further strife in the future.

The pacing of this issue is once again superb and keeps us turning the page, eager to find out what happens next.  Phillip Kennedy Johnson shows great command of dialogue throughout, particularly during the scenes involving the refugee.  As his story reveals answers to some of our questions, we also encounter new enigmas and are left wondering what our heroes will face next.

Dave Sharpe provides lettering for both stories and his work is on point once again, ensuring that our reading experience is effortless and clear.

The interior art from Daniel Sampere and colours from Adriano Lucas are just as striking as the cover and deliver page after page of spectacle.  There are some huge moments in this issue, and they are executed with style.

Meanwhile, the backup story centred on The Midnighter conveys its own sense of style, with impressive art from Michael Avon Oeming and bold colours from Taki Soma.  There’s some really inventive panel layouts, with visual elements recalling some of the weird machinery dreamt up by Jack Kirby in his art.  All of this serves an intricate plot and scenes of stark contrast as Midnighter struggles to escape an infinite time travel loop and the machinations of Trojan. The writers (Becky Cloonan and Michael W. Conrad) guide us from a thoughtfully written discussion of relationships between Midnighter and Trojan through to scenes of cold disconnect as we witness some of the horrors wrought by our bad guy. Once again, this creative team really deliver.

Verdict

This issue of Action Comics is full of the great things that make superhero comics so much fun to read.  There are incredible scenes and exchanges which fuel the imagination and keep us coming back for more.  This title is proving to be a great ‘gateway’ comic which offers a lot for those wanting to read more about some of the DC heroes they know from cinema and TV. That we get two excellent stories each time makes this one really easy to recommend. 


(Suggested ages 13+ by DC)

Review by Andy Flood, 29/6/21

Action Comics #1031 – Review

If you want big, cinematic action paired with intimacy, intrigue and suspense, then this is the issue to jump in on. 

Action Comics #1031

Written by: Phillip Kennedy Johnson (Superman), Becky Cloonan & Michael W. Conrad (Midnighter)
Art: Daniel Sampere (Superman), Michael Avon Oeming (Midnighter)
Colours: Adriano Lucas (Superman), Taki Soma (Midnighter)
Letters: Dave Sharpe (Superman & Midnighter)

This issue greets us with a fantastic cover by Mikel Janin, showing Superman fairly bursting from the page.  It’s a promise of what’s to come inside, and this dynamic scene encapsulates all the excitement from the opening moments of ‘Warworld Rising, Part Two’.

We join Superman and Superboy as they battle to save a refugee ship, beleaguered by a swarm of Warzoon ships intent on bringing it down.  The whole scene is full of classic Superman moments and sets up a good deal of intrigue among the action.  From there, we travel first to The Fortress of Solitude, then on to Atlantis, meeting other iconic DC characters along the way.  Here Superman is almost in detective mode, as he tries to unravel the riddle of the ship’s occupants and their pursuers.

It’s gripping stuff, revealing our nemesis first via brief mentions of his name, then later through displays of fanatical devotion from his followers.  The closing moments of this chapter foreshadow some dark days for Superman and his companions.

Phillip Kennedy Johnson’s writing is superb throughout this issue.  Through skilful use of dialogue and pacing, he entices us with enigmas and builds emotional tension throughout, rewarding us with a genuinely enjoyable read.  We are left wanting to know what happens next, in that way that only a good comic can.  His writing is presented through some great lettering from Dave Sharpe, with clear cues for emphasis and unusual speech patterns.

Meanwhile, Daniel Sampere has taken Johnson’s words and created incredibly cinematic pages with them, using everything from full page splashes to smaller, intimate panels which at times give us a ‘fly-on-the-wall’ feel.  Indeed, we are privy to the musing of god-like beings, and Sampere’s art conveys their stature perfectly.  To flow from a massive action set piece to a more cerebral sequence so effortlessly is no mean feat.  On each page, the art is enhanced by awesome colours from Adriano Lucas.  He uses clever palette changes to ease us into set changes and draw us further into the world on the page.

As if all that weren’t enough, we are then treated to a continuation of a Midnighter story in ‘The Passenger, Part Three’.  The theme of mystery continues here, even giving us some curious references to Warworld.  Becky Cloonan & Michael W. Conrad manage to work a whole lot of story into their comparatively short page count, with bone-crunching action, intrigue and even an emotional exchange between lovers working their way into the mix.  It’s immediately engaging, even without knowledge of prior events and this is a huge testament to the writers’ skill.  The Midnighter is a character shrouded in mystery and is presented here in a dynamic way.

The writing is supported by bold and exciting art from Michael Avon Oeming.  He uses some great layouts here, always appropriate to the moment (and there are a great variety).  Once Taki Soma has applied her wonderful colours to the page, we have a very atmospheric experience to enjoy.  And again, we are left wanting more.

Verdict

This issue of Action Comics is full of things to show people what comics can do.  The creators really play to the strengths of the medium and seem to enjoy their characters and settings.  They have also created something which is inclusive and (aside from moments of violence) is suitable for all ages. If you want big, cinematic action paired with intimacy, intrigue and suspense, then this is the issue to jump in on.  I for one can’t wait to see what the next issue brings!

Review by Andy Flood, 16/6/21