Tag Archives: Bounty Hunter

Star Wars: War Of The Bounty Hunters #4 – Review

STAR WARS: WAR OF THE BOUNTY HUNTERS #4
Reviewed by Nathan Harrison

Written by: Charles Soule

Art: Luke Ross with David Messina

Colours: Neeraj Menon with GURU-eFX


Released: 15/09/21

Publisher: Marvel Comics

Though issues of their own title have formed part of the wider narrative of the War of the Bounty Hunters event, the main characters from the excellent Bounty Hunters series have been (mostly) conspicuous by their absence in the titular mini-series that acts as the linchpin of the 34-part narrative. That is, until now, and it was certainly worth the wait.

The focus of the series has understandably been on the heroes of The Skywalker Saga, but the ongoing story of the cyborg bounty hunter, Vallance, and his connection to Han Solo has been a truly compelling one. Finally seeing this play into a narrative which, despite not actually featuring him, is all about Han pays true dividends here. Seeing Vallance and Dengar tussle with Boba Fett is a punch-the-air moment, especially as it is depicted in the dynamic style of Luke Ross and the bright, characterful colours of Neeraj Menon. This title is where the disparate parts truly come together, not just from a narrative perspective, but visually also, as the approach to every character is brought under the umbrella of one incredibly skilled team.

Like all the best final acts of any Star Wars story, this lead-up to the conclusion jumps between sets of characters at the drop of a hat, whilst keeping the reader engaged with each thread of the events. Soule is the master of the balancing act – between swathes of characters all in different places, in altogether different situations, and between plot and pace. The plot drives forward inexorably and without any awkwardness or ham-fisted exposition, yet action and fun are still placed firmly at the forefront. This issue goes from the aftermath of the Scoundrel’s Ball to the surface of the planet Jekara, to the depths of space filled with swarms of ships in the blink of an eye without missing a beat. Soule’s impressive pacing must be a challenge for any artist, but it’s one that Ross and Menon rise to with aplomb, imbuing every distinct scene with oodles of charm.

All this flitting about leads to a corker of a final page, which sets the stage for an epic final battle as various chickens come home to roost, with major implications for the final throes of the narrative.


VERDICT

As the core mini-series of this massive event nears its conclusion, it’s great to finally see some more major players enter the fray as things hot up for a final showdown that’s bound to pop right off the page. After many, many issues across 5 titles, the majority of the pieces are in place thanks to Soule’s continued uncanny ability to perfectly blend plot and fast-paced action. Roll on issue 5!


Review by Nathan Harrison 25/9/21

Star Wars #16 Review

STAR WARS #16
Reviewed by Nathan Harrison


Written by: Charles Soule
Art: Ramon Rosanas
Released: 18/08/21
Publisher: Marvel Comics

The doubt and fear that has plagued Luke Skywalker throughout this top-quality run finally comes to a head as he faces down the possibility of another showdown with Darth Vader at a crucial and climactic moment in the War of the Bounty Hunters event.

From the start of his time on Star Wars, Charles Soule has focused in on one of the key gaps that needs filling between The Empire Strikes Back and Return of the Jedi – namely, Luke’s transition from the broken, defeated young man we see at the end of Episode V to the confident, formidable, powerful Jedi we see stride into Jabba’s palace when Episode VI kicks in. Soule’s exploration of the darker side of Luke’s psyche has been delivered in flashbacks that make the iconic scenes from Empire more horrifying and devastating each time they’re revisited, and that approach continues in issue 16 to wonderful effect, delivering a pay off that adds further to the corker of a cliffhanger that closed out War of the Bounty Hunters #3.

Luke really is put through the wringer this issue, with another dog fight to contend with on top of everything going on in his head – Ramon Rosanas again delivers spectacularly on this front, conveying a real sense of movement and speed that is really needed for such an essential piece of the Star Wars puzzle. Whenever enemy ships swarm and Rosanas is the one bringing them to life, expect fantastic results.

The action also briefly shifts to the events of the second half of the latest issue of the event’s mini-series (which Soule himself recommends should be read before Star Wars #16) as we see Leia, Lando and Chewie contend with the spiralling, chaotic events at the Crimson Dawn auction. Cutting between this and Luke’s escapades makes for a pacey read, flitting between a tense stand off at the auction with our heroes watching on, Luke’s dogfight and more horrific visions across large, eye-catching panels before culminating in a devastating conclusion that shows that Luke really has reached rock bottom.


VERDICT

The character development that Soule has been carefully and skilfully putting together since the first page of his first issue now helps to deliver a gut punch of an issue. It should be fascinating to see where Luke goes from here and what Soule does to bring him back from the brink.


Star Wars: Jabba The Hutt #1 Review

Review by Nathan Harrison 27/7/21

Written by: Justina Ireland

Art: Ibraim Roberson and Luca Pizarri
Released: 21/07/21

Publisher: Marvel Comics

Since its launch earlier this year, The High Republic has proven to be the most exciting new Star Wars expanded universe initiative in a long time – Justina Ireland has also proven to be one its most talented contributors. Her middle-grade novel, A Test of Courage, was emotionally complex, touching, and full of the heroism and derring-do that was promised when the new era was announced. It’s fantastic then to now see her name of the front of a Marvel comic as part of an altogether different era of Star Wars.

Ireland grabs the opportunity to show her range by the horns as we see her take on the darker underbelly of the Star Wars galaxy – her approach to iconic characters like the sinister, snivelling Bib Fortuna, Boba Fett and, of course, the titular mob slug Jabba the Hutt is spot on, while her introduction of new bounty hunter, Deva Lompop, a badass, double-crossing feathered lizard woman, is impactful. She stands out as the real star of this book and is bound to do so again in her upcoming appearances in further one-shots. Any character who can effortlessly belittle a character like Boba Fett with amusing results is not to be ignored!

The approach to the plot is also skilfully handled. What initially appears to be a straightforward tale of bounty hunters on the job soon turns out to be the first hint of the back-stabbing intrigue that we could see in future instalments of the War of the Bounty Hunters event. Deva Lompop is the driving force behind this, but Ireland also shows how easily Jabba can pull the rug from under the feet of those in thrall to him – as much as Deva seems to be the sort of person who does whatever the hell they want, everything ultimately comes back to Jabba and a debt he is owed. This chink in Deva’s armour and her potential vulnerability makes her even more compelling, rather than her simply being a likeable but one-sided scoundrel.

Art is provided by Ibraim Roberson for sequences set in the main timeline of War of the Bounty Hunters, and by Luca Pizarri for flashbacks. Their styles differ enormously so the effect can be jarring when the action shifts from one timeline to another. Roberson’s lines are defined and dynamic, with every known element instantly recognisable and all new elements standing out as beautifully done. Every panel hums with detail. However, Pizarri’s art is not quite as accomplished, and a lot of the main characters are drawn in a rather odd way, Jabba especially – he resembles a giant bullfrog at points rather than the slug-like creature anyone would recognise. The proportions of Boba Fett’s distinctive helmet and armour are also a little off. That said, Pizarri’s art has a cartoonish charm of its own, which works best during the more action-oriented sequences.


VERDICT

One of Star Wars’ finest writers finally makes her debut at Marvel and does a stellar job in both having a lot of fun with characters we know and introducing us to one we don’t who is bound to have a bigger and bigger impact as the event continues. While the art can sometimes lack accuracy and there are no particularly interesting layouts, it’s hard to ignore the quality of the whole page panels dotted throughout that bring a sense of scale and drama to this intriguing and engaging character-driven piece.


Review by Nathan Harrison 27/7/21


Star Wars: War OF The Bounty Hunters #1 Review

STAR WARS: WAR OF THE BOUNTY HUNTERS #1
Written by: Charles Soule
Art: Luke Ross

Released: 02/06/21
Publisher: Marvel Comics

‘You know who I am. Boba Fett. You know what that name means.’

-Boba Fett, War of the Bounty Hunters #1

Let’s face it – everyone’s favourite thing about Star Wars is the bounty hunters. Or rather one bounty hunter in particular. And anyone who tells you otherwise is, quite frankly, lying through their teeth.

It is unsurprising then that, now the focus of Marvel’s Star Wars line has shifted to the often-unexplored gap between A New Hope and The Empire Strikes Back, the House of Ideas and Lucasfilm have decided to squeeze in all the crime syndicates, smugglers and bounty hunters they possibly can. More specifically, this event, which spreads itself across a limited series, several one shots and multiple issues of the four Star Wars ongoing series, reveals what happened to Han Solo between his being loaded onto Slave 1 in Cloud City and his arrival at Jabba’s palace. That’s a big gap to fill in our knowledge and if this first issue is anything to go by, the slow reveal of events over the next few months is going to be exhilarating.

The underworld of the Star Wars universe is on display in all its glory here, ably brought to life through Luke Ross’ bold artwork and distinctively gritty yet pastelly colours by Neeraj Menon. It says a lot about Charles Soule’s writing that his Boba Fett still absolutely shines and stands out, as iconic as ever amongst all the quality and skill on show. As Fett hunts down those who have wronged him, Soule takes us to dingy dive cantinas, glowing star ship interiors, Tatooine and a Hutt war barge. Soule’s ability to hop from location to location whilst also telling a cohesive and exciting story with plenty of surprises (and, oh boy, is there a surprise at the end of this one!) and solid, incisive character moments is nothing short of sheer brilliance.

VERDICT

This is true Star Wars adventure from start to finish and the next issue looks set to explore more new ground whilst ramping up the excitement. Whether this sort of quality can be maintained across the 34-part duration of this event remains to be seen, but the start has been very promising indeed. The infamous bounty hunter’s reputation precedes him as he goes about his business, leading to some top level badassery from this fan favourite character, which will raise a smile in any who have managed to forget the utter joy that Star Wars brings at its best moments.

Review By Nathan Harrison