Tag Archives: Bruce Wayne

Detective Comics #1044 – Review


Detective Comics #1044

Writer: Mariko Tamaki (Fear State: Nakano’s Nightmare Part 2) and Stephanie Phillips (Foundations Part One).

Art: Dan Mora (Fear State: Nakano’s Nightmare Part 2) and David Lapham (Foundations Part One).

Colours: Jordie Bellaire (Fear State: Nakano’s Nightmare Part 2) and Trish Mulvihill (Foundations Part One).

Letters: Aditya Bidikar (Fear State: Nakano’s Nightmare Part 2) and Rob Leigh (Foundations Part One).
Released: 26/10/21
Published by DC Comics

Mayor Nakano remains trapped in the sewers with a host of hatchling parasites belonging to Hugh Vile. The only thing that can save him: Batman, of course! But he’s kept out from a wall of fallen rubble that might bring the whole world down on their heads if he begins to move it. Clock’s ticking Batman! What are you going to do? Meanwhile, Bat-woman makes a play to end the reign of terror by Nero XIX, back at City Hall.

Mayor Nakano remains trapped in the sewers with a host of hatchling parasites belonging to Hugh Vile. The only thing that can save him: Batman, of course! But he’s kept out from a wall of fallen rubble that might bring the whole world down on their heads if he begins to move it. Clock’s ticking Batman! What are you going to do? Meanwhile, Bat-woman makes a play to end the reign of terror by Nero XIX, back at City Hall.

As I mentioned in my review for Detective Comics #1043 that the introduction of Nero XIX could be the lead into something bigger, imagine my frustration when that whole subplot is wrapped up by Bat-woman in a couple of pages, making the whole thing seem like an afterthought. So the real story here is the relationship between Batman and Nakano. Nakano has done everything he can to rid Gotham of vigilantes. But could the events of this particular issue be the turning point in getting Nakano on team Batman? Well, it might if Nakano actually survives the attack against him by Vile’s newborn parasites. And what a disgusting attack it is too! Seriously, it’s something right out of a horror movie, which is quite up my street really.

The real question is how much life does this Vile parasite storyline have left in it? We see that these same eggs, that burst forth these pesky critters to attack Nakano, are also present in the morgue, which means that even if Batman kills all of them down in the sewer, there’s more waiting for them up top. One can’t help but draw a correlation to real-world events. Is Vile’s parasite actually written by Mariko Tamaki as a way of addressing the fear of Covid? A virus that spreads, mutates, and seems unwilling to die. An obvious comparison, sure, but it definitely adds more relevance to the villain that has been plaguing Batman for months now.

The story is bookended with a piece that Deb Donavan is writing about the filth in Gotham’s water supply and a scene in which that filth makes its way to the surface in the final pages. Filth can only be kept hidden for so long. Water is a symbol of purity. But here in Gotham, it’s as dirty as the city itself!

I love the lore that surrounds Arkham Asylum. The asylum itself has always felt like a character in its own right, in much the same way The Overlook Hotel does in The Shining, or the Bates Motel from Psycho. So the back up story here, ‘Foundations’, is a welcome one that will hopefully offer something new to the pantheon of stories that have focused on this house of extreme darkness.


Verdict –
An issue filled with physical horror that explores the darkest depths of what makes Gotham such a lost soul. Corruption and darkness are the bedrock upon which it is built.


Review by Bryan Lomax, 05/11/21

Detective Comics #1041 Review


Detective Comics #1041
Reviewed By Bryan Lomax

Writers:
Mariko Tamaki (“The Jury Part 1”) and Matthew Rosenberg (“What The #!$% Is Task Force Z Part 1”).
Art: Dan Mora (“The Jury Part 1”) and Darick Robertson (“What The #!$% Is Task Force Z Part 1”).
Colours: Jordie Bellaire (“The Jury Part 1”) and Diego Rodriguez (“What The #!$% Is Task Force Z Part 1”).
Letters: Aditya Bidikar (“The Jury Part 1”) and Rob Leigh (“What The #!$% Is Task Force Z Part 1”).
Released: 10/08/21
Published by DC Comics

Batman is called out by “The Jury”, a host of Gotham’s criminal underworld, led by Penguin, the Falcone’s and Mr Worth. But when he shows up to meet them, in order to answer for his “crimes”, he finds himself dealing with those who are unwilling to listen to reason. Batman is caught in a trap that might tether his very soul to that of another: Hugh Vile.

I would love to know just what information it was exactly that Oracle gave to the authorities in order to facilitate the release of Bruce Wayne. Mayor Nakano still appears to be clueless about Hugh Vile’s involvement in the whole affair, but surely that would have been the first piece of information that Barbara would have handed over! It only adds to my frustration over the sloppy handling of the story in the last two issues.

Aside from that though, writer Mariko Tamaki goes some way to winning me back on this issue. I like the motely crew of second string villains, led by Penguin, now referring to themselves as The Jury. Each one of these guys on their own probably doesn’t pose much of a threat to Batman. United, however, they may prove to be more than effective as a collective adversary. I think this is proven by the end of Tamaki’s story, in which Batman finds himself in quite the predicament, albeit one that reveals a rather interesting link to Huntress that has the potential to go to some exciting places.


One of the more interesting aspects of the current run of Batman comics is the fact that Bruce no longer has the endless wealth that he once had at his disposal. This means Batman has become more like a street rat, operating out of the sewers, without the security of his old bat-cave. This sometimes results in moments of humour, such as the one Tamaki gives us here, in which Bruce scares a woman carrying her groceries when he climbs out of a sewer grate.
These moments of Bruce struggling to live the life he once lived without the resources he once had also make me long for, perhaps a more valuable missing piece, Alfred Pennyworth, the father figure that Bruce is now lacking and yet sorely needs. Seeing him calling Oracle about business, inside a diner with public gawkers, is somehow one of the saddest reflections of just how far he has fallen from the ivory tower. Dare I say, he seems quite pathetic these days, when dressed in his civilian clothes!


Matthew Rosenberg’s B story, “What The #!$% Is Task Force Z Part 1”, is a really great start to a Deb Donovan adventure. It is filled with intrigue as the no nonsense reporter begins investigating the apparent disappearance of bodies from the Gotham City morgue. Rosenberg has a real knack for dialogue and the art from Darick Robertson is very easy on the eye. I’ve said before that I am really enjoying the Deb Donovan character. But, on the strength of Rosenberg and Robertson’s work here, I’d go so far as to say that, if these guys were assigned to a Deb Donovan monthly title, I’d be the first in line for a pre-order.


Verdict:


Mariko Tamaki shows us just how far Bruce has fallen and how, now more than ever, he is in need of allies. Backed up with excellent artwork from Dan Mora and Jordie Bellaire, she is able to give us a really great character study of Bruce Wayne/Batman, as he struggles to maintain the vigilante life-style without the resources he once had.

4/5


Reviewed By Bryan Lomax – 22/9/21

Detective Comics #1040 Review


Detective Comics #1040

Reviewed By Bryan Lomax


Writers: Mariko Tamaki (“The Weekender”) and Dan Watters (“The Quiet and Unsung Death of Kirk Langstrom”).
Art: Dan Mora (“The Weekender”) and Max Raynor (“The Quiet and Unsung Death of Kirk Langstrom”).
Colours: Jordie Bellaire (“The Weekender”) and Arif Prianto (“The Quiet and Unsung Death of Kirk Langstrom”).
Letters: Aditya Bidikar (“The Weekender”) and Rob Leigh (“The Quiet and Unsung Death of Kirk Langstrom”).
Released: 27/07/21
Published by DC Comics

As I suspected, at the end of issue #1039, the “finale” to Mariko Tamaki’s story, “The Neighborhood”, was anything but. Hugh Vile, we are told, is still alive, leaving Penguin and Mr Worth to continue whatever scheme it was that Vile had concocted. Huntress and Deb Donovan wake up in hospital, seemingly recovered from the effects of Vile’s attacks. Meanwhile, Bruce sits in a prison cell talking to a drunken man, allowing Oracle to put the evidence together that would get him out.

All of this amounts to a mildly amusing dose of pop psychology, as Bruce’s drunken cellmate, having learned that he is Batman (something he conveniently forgets once sober), tells him that he essentially brings all the darkness and misery upon himself; that he is attracted to it. Bruce looks rather non-plussed by this revelation. Dan Mora’s art work, particularly his gift for facial expressions, body language and framing, really help in selling these exchanges. The splash page of Batman and Joker crashing through a skylight, during a flashback, is stunning and I get a kick out of seeing the 1980’s colours on their costumes.

We are told by Penguin that Vile is still alive but we don’t see him. We can only assume at this point he lies in a hospital bed under armed guard. And with Deb Donovan now fully awake and able to testify as to what happened to her, it’s unclear as to just what evidence Oracle needed to gather in order to free Bruce from custody.
The tactics that Penguin employs here also make little sense to me. He’s killed many people over the years without the perceived need to remove Batman from the equation first. And, given the level of destruction he manages to pull off at one point, it feels like a somewhat flimsy excuse for Penguin and Worth to not use all their resources to make a co-ordinated attack directly on Bruce.

‘The Quiet and Unsung Death of Kirk Langstrom’ makes a concerted effort to paint some heroic light onto the tragic character of Man-Bat. Unfortunately, it relies quite heavily on some past events from stories that I’ve never read, which means I felt a bit distant from it all. Not to mention the fact that, by now, we all know that when people die in comic books they rarely stay dead. This made it hard for me to connect in any real emotional way with Langstrom, especially given how few pages that writer, Dan Watters, had to tell his story. In that respect he did a good job given he was so restrained.


Verdict:

Mariko Tamaki’s ongoing story, that began with so much intrigue, now seems to hang in limbo with too much uncertainty, while Man-Bat is given a “final” send-off that struggles to resonate emotionally. The highlight is Dan Mora’s artwork.


Reviewed By Bryan Lomax 6/8/21

Detective Comics #1039 Review

Writers:
Mariko Tamaki (“The Neighbourhood: Finale”) and T. Rex (“The Life & Times of Hugh Vile”).
Art:
Viktor Bogdanovic, Daniel Henriques and Norm Rapmund (“The Neighbourhood: Finale”), with T. Rex (“The Life & Times of Hugh Vile”).

Colours: Jordie Bellaire (“The Neighborhood: Finale”) and Simon Gough (“The Life & Times of Hugh Vile”)

Letters: Aditya Bidikar (“The Neighbourhood: Finale”) and Rob Leigh (“The Life & Times of Hugh Vile”)
Released: 13/07/21Published by DC Comics 

Huntress confronts Hugh Vile while Batman continues his struggle with Worth. But when Vile infects Huntress he sends her after the dark knight and the two vigilantes become locked in a deadly battle with one another.

For a story with “Finale” as its subtitle I have to say that I found it very disappointing. It just doesn’t feel like anything has been fully resolved at all. We are left with too many questions that leave you feeling frustrated. Is Vile defeated? If so, where does that leave Penguin and Worth, given they seemed to be in league with him? Where’s the logic in Bruce turning himself in, especially since Worth is still out there? After all, he’s already destroyed one police station to get at Bruce, so what would stop him from doing it again? 

Then you have the infections of both Huntress and Deb Donovan, which are unsatisfyingly wrapped up with a line of dialogue from Oracle. 

Not only do all of these elements suggest that this issue is not, in fact, the “finale” of the story, but also, the cover presents the tagline, “From the depths… Enter: Vile”. This suggests that things are just about to get going with regard to our main villain. But he “entered” our story a few issues ago. Perhaps such a tagline might have been more appropriate during one of those issues rather than on the “finale” of the story.

Thankfully, the artwork by Viktor Bogdanovic, and the coloring, by Jordie Bellaire, are still on excellent form.

T. Rex’s short origin story for Vile, “The Life & Times of Hugh Vile”, is a much more rewarding affair. At only ten pages, Rex doesn’t have much to work with, but manages suitably enough to convey the story of a man who has embraced his dark side thanks to the Venom-esque parasite that now lives inside him.

However, I’d rather the thirty pages of a comic book were devoted to the main story at hand. I often find that, as the main story starts to hit a stride, we are then forced to dovetail into another story altogether. I don’t think I’m a fan of this particular evolution in the medium.


Verdict:
Again, we are left with more questions than answers, making for a highly unsatisfying “finale” (if that title is to be believed) to Mariko Tamaki’s story. 


Review by Bryan Lomax, 30/07/21


Throwback Review – Batman #445 – March 1990

Throwback Review – Batman #445 – March 1990
Review by Bryan Lomax

Writer: Marv Wolfman
Pencils: Jim Aparo

Inks:
Mike DeCarlo
Published by DC Comics March 1990

Batman goes to Russia to help the Moscow police commissioner catch The NKVDemon, protégé of The KGBeast, who is out for revenge against those who betrayed his master. The Demon works his way through a hit list of 10 people, much the same way as the KGBeast attempted to do in Gotham, only this time the hunting ground is his home turf in Russia. Can Batman accomplish what he once did in a city he is unfamiliar with?

‘Batman: Ten Nights of the Beast’, written by Jim Starlin in the late 80’s, is one of the seminal works of that decade. Marv Wolfman, no slouch when it comes to writing Batman, is given the task, two years later, of writing a direct sequel to that story. ‘When the Earth Dies! Chapter One: Red Square, Bloody Square’ is a pretty good starting point for it.


Wolfman bookends his story with two sequences. The opener sees Batman catching a villain in Gotham, his home turf, precisely because he knows every street, every alleyway, every sewer tunnel. The closing scene plays out similarly, only this time the villain escapes, precisely because Batman doesn’t know the layout of the city he’s in. In Moscow, the streets, alleyways and sewers belong to The Demon.

Batman #445

I love when stories are bookended. It’s a great device that writers can use to show us a change has happened, whether it be in a character’s personal growth, or in their circumstances. Here we see that Batman is Gotham. Gotham is as much a part of him as the air in his lungs. Without it, he cannot breathe, he cannot function as well as he once did. It gives his nemesis the edge.

That nemesis in question is probably the weakest element of the story, as The Demon is essentially just The Beast, only with a slightly different costume. I would rather they had just brought back The Beast himself. It would be much more fun to see a rematch with the iconic villain, where Batman no longer has the upper hand, instead of giving us a carbon copy in his place.

I always have a sense of nostalgia for Jim Aparo’s artwork. He’s not my favourite, but seeing his work always takes me back to my childhood, when I started reading comic books. It’s very much a golden era for me personally. But it’s great that both Aparo and inker, Mike DeCarlo, both return here, as it was the two of them that brought the ‘Ten Nights of the Beast’ storyline to life.


It must be said that this particular story is very dated as it assumes quite heavily on the audience’s knowledge of Russian politics of the time. And seeing Bruce just randomly bumping into Vicki Vale whilst dining out in Moscow is very quaint. Also, it seems to me that, if The Demon spent as much time doing stuff as he does gasbagging about a better Russia, he might actually stand a chance of achieving his goal. Some of his dialogue is stilted to say the least.

Batman #445


Verdict:

A great nostalgia trip for anyone who read comics as a child of the 80’s, but reading Jim Starlin’s ‘Ten Nights of the Beast’ before this is strongly recommended.


Review by Bryan Lomax, 24/07/21