Gotta Eat ‘Em All! Part 1: The World of Vintage Pokemon Lunch Boxes

Pokemon lunch boxes became more and more commonplace as the franchise took the world by storm, with many of the designs used featuring human characters from the anime and Pokemon made popular by their appearances in the TV series and movies.

One part of being a kid at school that many of us can relate to is what sort of lunch box we had. After all, a lunch box wasn’t just something to carry your sandwiches and crisps round in, it was a statement.

Were you a sports fan, proudly showing off your lunchbox emblazoned with your favourite team? Or did you show off your love for Star Wars with an array of boxes decorated with Jedi and Sith alike? These are just a couple of examples of the endless stream of branded lunch boxes available, but in the late 1990’s and early 2000’s a new series of lunch boxes would find their way into schools.

Pokemon lunch boxes became more and more commonplace as the franchise took the world by storm, with many of the designs used featuring human characters from the anime and Pokemon made popular by their appearances in the TV series and movies.


Prior to the 1980’s, lunch boxes had been primarily made from metal. While metal lunch boxes were (and are still) used and produced, from the 1980s onward materials such as vinyl and plastic became increasingly commonplace as more films, TV shows and toy lines were licensed to be used on such products. Brands such as Sistema Plastics and Thermos made a variety of plastic Pokemon lunch boxes featuring a number of different characters, which proved to be extremely popular.


Thermos included their signature Thermos flasks along with their range of plastic lunch boxes, which were also adorned with popular Pokemon from the anime series, such as the Sandshrew flask below:


As well as plastic lunch boxes, Thermos also produced Pokemon backpacks that included a matching flask, though if you’re a collector looking to purchase one of these backpack and flask sets for your collection it may prove to be rather difficult to find a complete set featuring a particular design, as these pre-loved backpacks often tend to be missing the flask that originally accompanied them.


The Thermos range of pokemon lunch boxes and backpacks have remained popular throughout the various eras of the franchise and they still produce Pokemon lunch boxes, which remain very popular with younger fans of the franchise eager to show off their favourite characters at school.


Although the majority of Pokemon lunch boxes have been made from either plastic or fabric, the New York-based company Accessory Network produced a variety of tin lunch boxes in the late 1990s and early 2000’s. These lunch boxes were much more reminiscent of the classic boxes of yesteryear and in a similar fashion to the lunch boxes produced by other brands, their designs were also primarily based around Pokemon which had been key characters in the anime series and movies, such as Charmander, Mew, Mewtwo, Butterfree, Squirtle, Bulbasaur and of course, Pikachu.


As previously mentioned, fabric-based Pokemon lunch bags were also a common sight in playgrounds and school dinner halls during the height of Pokemania. Another New York-based company, Fab Starpoint, began producing Pokemon lunch bags and school bags during this period and continue to produce merchandise featuring modern Pokemon today. One of the most well-known household food storage brands, Tupperware, also joined in on the Pokemon craze and teamed up with Japanese advertising agency JR Kikaku (responsible for the marketing of the Pokemon anime) and produced a variety of lunch bags. These products again featured key characters from the anime and movies, particularly those from the Orange Islands and Johto series, along with the Pokemon 2000 movie, such as the bag pictured below.


Of course, the lunch boxes and bags featured here are only a handful of those that were produced, generally speaking as a franchise Pokemon extensively merchandised so many aspects of their intellectual property it would be impossible to list everything ever produced! The vintage lunch boxes and other meal-time-related items (plates, cutlery etc.) hold a special place in many collectors’ hearts due to the nostalgia and memories associated with them, as well as their designs being quintessential to the time period in which they were produced. We will be continuing our journey through this part of the Pokemon merchandise world with part 2 of “Gotta Eat ‘Em All!”, where we will be exploring some key pieces of vintage Pokemon crockery that should definitely take us on another trip down memory lane!


Written By Emily Carney
Sources and Further Reading:

Sistema Plastics –
https://sistemaplastics.com/

Accessory Network –
https://pitchbook.com/profiles/company/13959-82#overview

Thermos –
https://www.thermos.com/

Fab Starpoint –
http://www.fabny.com/

Tupperware – https://www.tupperware.ie/index

Jr Kikaku – https://bulbapedia.bulbagarden.net/wiki/JR_Kikaku

Quality Logo Products – History of Lunch Boxes –
https://www.qualitylogoproducts.com/promo-university/history-of-lunch-boxes.htm#:~:text=Before%20the%201980s%2C%20adults%20and,used%20to%20create%20lunch%20boxes.&text=Metal%20lunch%20boxes%20continued%20to,young%20kids%20until%20the%201980s.

Vintage Pokemon Hunter – Vintage Pokemon Mini Lunchboxes –
https://www.youtube.com/watch?v=L4yUCTCRpVo

Best Reviews.Guide – Top 10 Pokemon Lunch Boxes Of 2021 –
https://uk.bestreviews.guide/pokemon-lunch-boxes-for-boys



THE HALL OF WOW – March Inductees


Each month our team of writers each submits a classic or modern cover that they deem worthy of entering into the esteemed HALL OF WOW. At the end of each month, we ask our loyal followers over on our Wow Comix World Facebook page to vote on their favorite as part of our big giveaway!

See the inductees for March 2022 below!


9

The Amazing Spider-Man #75 – 1969 – Cover by John Romita

A fine reflective picture of a weary Web-Slinger. Truly iconic 

Chosen by Taz Maz


10

Silver Surfer #4 – 1969 – Cover by John Buscema and Sal Buscema

The ‘Sky-Rider of the Spaceways’ faces Thor on Buscema’s classic cover.  This depiction of a showdown on Asgard’s rainbow bridge stands as a great example of dynamic action, pose and character design.  Each instantly recognisable and very much a signature of one of the old masters.  Check out ‘How to Draw Comics the Marvel Way’ if you want to see how he worked his magic.

Chosen By Andrew Flood


11

Wonder Woman #600 – 2010 – Cover by Adam Hughes

There are no women like Adam Hughes women, and there are no covers like homage covers. Slap ’em together, and you get this stunning image. The already fantastic cover to Sensation Comics #41 is impeccably reworked by master artist Adam Hughes in a cover that no comic book fan could resist putting on display, and a fitting reward for readers of Wonder woman issue 600.

Chosen by Leo Brocklehurst


12

Unwritten#43 – 2013 – Cover by Yuko Shimizu

Could have picked any cover from this series. Shimizu drew them all and every one of them was brilliant!

Chosen by Ross Kelly


13

Tomb of Dracula #1, April 1972 – cover by Neal Adams

A cover that perfectly captures the over-the-top drama and the stunning artwork of the Bronze Age revival of horror comics, following a slight loosening of what the Comics Code would allow. Each issue of this series is a perfectly balanced blend of tense, dark atmosphere and melodramatic histrionics and this cover represents that perfectly, the helpless blonde in a classic Lugosi style Dracula’s arms with an eerie backdrop of forest, castle and moonlight. And that logo is just absolutely timeless!

Chosen by Nathan Harrison


14

Batman #496 – Cover by Kelly Jones

I’ve never been a fan of Kelly Jones’ artwork if I’m being perfectly honest. Which is why I have to give him credit for this brutal and haunting image from his Knightfall cover gallery, in which, the ghost of Jason Todd cries out for vengeance from beyond the grave. But is it a ghost or merely an expression of Batman’s guilt-ridden conscience? Pain, sorrow, guilt, justice, vengeance, anarchy, chaos: all of these things are happening here!

Chosen by Bryan Lomax


15

BATTLESTAR GALACTICA: DEATH OF APOLLO #5 – 2015 – Mike Meyhew

This watercolor from Mike Meyhew is simply stunning. From a technical standpoint, it’s flawless. The color pallet, the postures, framing, and just how beautiful are those stars!

Thematically, it evokes an emotional depth in which the run itself just missed out on delivering, but given the title, any BSG fan would feel a lump in their throat seeing a scene such as this on the cover.

Chosen by LJ Marshall


16

Action Comics #393 – Oct 1970Cover by Curt Swan

It’s action, suspense, and a key question: why would a kid want to stop Supes from saving his father?

The added bonus of “How Superboy Became Superman” makes this a must-read 

Chosen By Liam Ashby


That’s it for this week! Some fine pick’s there from our review team!

Have you got any of these classic covers? Which of this week’s selections would you vote for!? Let us know in the comments! And don’t forget that you can see all of the HALL OF WOW featured covers by heading over there right now in the menu above!


Detective Comics #1049 – Review



Detective Comics #1049

“When Huntress elected to go undercover in Arkham Tower, it was to investigate a place of healing that seemed too good to be true. But what happens when Helena Bertinelli really does need some healing? With Nightwing and Batwoman also on the inside, what began as an undercover mission has turned into a rescue operation as the mysteries of Dr. Wear’s Arkham Tower begin to unravel! Then, in “House of Gotham” part three, the young boy rescued by Batman has begun his course of treatment at Arkham, so why are the only people showing him kindness those whom the law asserts are criminals? It’s a cycle of violence the Dark Knight has no answer for as Gotham’s most vulnerable struggle to keep their heads above water!”

If you like Bryan’s videos, check out more over on his channel!



Aliens: Newt’s Tale – Throwback Review

‘Newt’s Tale’ is an example of an absolute gem from the early days and sports a great John Bolton cover painting. 


Aliens: Newt’s Tale 
Published by Dark Horse Comics
Published 1992

Writer: Mike Richardson
Penciler: Jim Somerville
Letterer: Pat Brosseau
Colorist: Gregory Wright

This was one of 39 different mini-series and one-shots based upon the Alien/Aliens movie franchise that was handled so well by the folks at Dark Horse Comics. For over 30 years, Dark Horse was pretty much the sole publisher of Aliens comics, starting with the comic Aliens: Outbreak (originally titled simply Aliens) in July 1988. ‘Newt’s Tale’ is an example of an absolute gem from the early days and sports a great John Bolton cover painting. 

This two-issue story was based on writer/director James Cameron’s original screenplay and has all of the atmosphere, horror, and tons of action we found in the Aliens film. That’s no mean feat, transferring films well to comics. It is everything you want in a two-book mini-series, it’s so deeply true to the original Aliens film that any fan of the film would be hard-pressed to not be engrossed and invested in it. 

Just a little side note if you haven’t already read “Alien the illustrated story” by Goodwin and Simonson published by Titan Books that would be the perfect aperitif. The Dark Horse original three series sit well in chronological order with this offering, (Book 1, Book 2, and Earth War). They form a much better sequel to Aliens than Alien 3 since they involve a great Newt and Hicks dynamic and if you haven’t read them you might want to check them out too. Thank me later!

While this novel is recognizably true to the film this encounter is told from Newt’s perspective and includes more back story and the much-needed new material to really get this fan’s juices flowing. The plot development centers around the Xenomorph infestation at Hadley’s Hope. The overrun prospectors can only find hope in the wait for Ripley and the Colonial Marines to arrive.

The transition into the marine’s arrival transported me to the tender moment when Ripley finds Newt in the film and the action moves along well from there to an exciting can’t wait for book 2 nail-biting conclusion. The Xenomorph art is original yet familiar. These creatures aren’t posed, traced, frozen, or toy-like. These are original and appear sparingly and menacingly in an impactful way that adds terror and horror in equal measure. I find the character drawings charming. There is color and shadow mixed well with the expressions that follow the tension and action. Not one part of the team let this comic down. The only criticism I’d have is I wish this iteration of Ripley was drawn a little closer to other, slightly sexier, iterations or her at the time.


Verdict

A must-read for any Aliens fan.



Batman #119 – Review



Batman #119

“Abyss” part two! For years Batman used the darkness as a weapon, but now a new enemy turns that darkness against him! Batman must team with Batman Inc.’s mysterious new benefactor to bring the deadly Abyss into the light! Wait…who is Batman Inc.’s new benefactor?


Check out more from Bryan HERE!



Detective Comics #1048 – Review



“The Tower” part two! The mysteries of Dr. Wear begin to unfold as a new doctor named Frow joins the staff of Arkham Tower. The Bat-Family tries to figure out the best way to infiltrate the facility, but someone may have gotten the drop on them…someone not unfamiliar with psychiatric facilities…one Dr. Harleen Quinzel, better known to you dear readers as Harley Quinn! Backup: “House of Gotham” part two! A boy’s parents were killed by The Joker, and he fell through the cracks of the system. Instead of being sent to a facility that could care for him and his trauma, he was sent to Arkham Asylum! Will the villains inside eat him alive or show him how to survive in a city ruthlessly overseen by Batman??”

Check out more from Bryan HERE!



Detective Comics #1047 – Review


THE TOWER, PART ONE / HOUSE OF GOTHAM, CHAPTER ONE 

“The Tower” begins! The 12-part weekly Detective Comics event starts here. Arkham Asylum has fallen, and in its place, Arkham Tower has risen in the heart of the city, a pitch made by the mysterious Dr. Wear. Unlike the Asylum, Dr. Wear promises his methods and drug treatments will heal Gotham’s criminally inclined for good—a claim that skeptics like Deb Donovan and the Bat-Family don’t believe. There’s something wrong with the tower, with Dr. Wear’s methods—and with Batman away from Gotham City, the rest of the Bat-Family is going to find out what…but not before everything explodes. Written by critically acclaimed author Mariko Tamaki, continuing her incredible Detective Comics run, and drawn by DC Comics legend Ivan Reis

PLUS! “House of Gotham” begins! For a long time two houses have overlooked Gotham City, beckoning its broken: Wayne Manor and Arkham Asylum. In this epic 12-part backup story, writer Matthew Rosenberg and artist Fernando Blanco will explore the impact that Batman and Arkham Asylum have had on the city…through the eyes of a boy whose life was changed forever by The Joker one dreadful night early in the Dark Knight’s career!’



Batman #118 – Review


Bryan has been an integral part of the review team since we started Wow Comix World, and now we have partnered up with his fantastic Youtube channel to bring you our regular Batman and Detective comics reviews! On his channel, he already produces some fascinating video essays on a range of comic and movie franchises, with a taste for horror in particular! He is also, as some of you may already know from his reviews, Bat-mad, so do make sure you check out his other videos on the channel for some excellent Gotham goodness!

Batman #118 – As Gotham celebrates surviving Fear State, Batman retreats alone into the darkness. But when he learns of a mystery involving Batman Inc., it forces the Caped Crusader to leave Gotham for a brand-new adventure! Thrills, chills, and international intrigue await!’

Watch Bryan’s review of Batman #118 below!



2000AD prog. 2270 – Review

A bumper birthday issue that marks the 45th anniversary of Britain’s preeminent science fiction and fantasy comic.


Featuring stories by John Wagner, Mike Carroll, Kek-W, Ian Edginton, David Barnett, Dan Abnett.

Art by Dan Cornwell, Jake Lynch, Lee Carter, Leigh Gallagher, Robin Smith, John Burns, I.N.J. Culbard.
Released: 23rd February 2022
Published by Rebellion

A bumper birthday issue that marks the 45th anniversary of Britain’s preeminent science fiction and fantasy comic. Simultaneously looking back on past glories and ahead to the future, this issue has a particularly strong resonance as it commemorates the death of Ian Kennedy, who sadly passed away on 7th February.

Kennedy’s artwork appeared in British comics for decades, including Bunty, Hotspur and Rover. For fans of British action-adventure comics, however, he will be best remembered as the artist behind the stunningly drawn aircraft, both real and imagined, that graced the pages of Commando, Starlord and, of course, 2000AD.

This issue features two new stories, the first being the John Wagner scripted ‘The Citadel,’ a Judge Dredd story that sees an inmate facing execution reveal a secret about Dredd that hints at corruption. What that secret is exactly, we’ll have to wait to find out. Great art by Dan Cornwell brings to mind the simply effective facial expressions that Steve Dillon draws so well. The second new story is ‘Brink: Mercury Retrograde’ by the supremely talented writer and artist team of Dan Abnett and I.N.J. Culbard. Set four years after the final evacuation of Earth and opening with a triple homicide, the action slows to focus attention on investigating journalists Nolan Maslow and his wife Lauren Steers Maslow. The dialogue between the two captures perfectly their respect for one another, making them instantly likable and relatable so that when they get in too deep with their investigation into unions and sects (which, inevitably, they surely will), we’ll be right beside them.

Three of the continuing stories are all well on their way: Mike Carroll’s ‘Proteus Vex: Desire Paths’ and Kek-W’s The Order: Fantastic Voyage’ are both at part nine, and ‘Kingmaker: Falls the Shadow’ by Ian Edginton is at part seven. As a reviewer, I’m arriving late to the party on these stories, but what immediately struck me is how easy it is to differentiate each of the five-page parts from one another. This is down to the stunning artwork by Jake Lynch (Proteus Vex), Leigh Gallagher (Kingmaker), and John Burns (The Order), each as unique as the stories they’re illustrating. The full colour format of 2000AD — with the exception of Tharg the Mighty’s wonderful throwback story ‘Stars on 45’ (more on that later) – allows for the stories to have their own clearly defined segment within the pages, particularly in the Indigo Prime one-shot ‘Whatever Happened to Mickey Challis?’ (the longest story here); Lee Carter’s artwork is awash in Matrix-like greens and fleshy alien purple tones. It’s a cracking story too.

The Proteus Vex story seemed to stand out especially. Reading this chapter, I can see it’s something special; very weird sci-fi, with a depth of imagination that brings to mind Mike Mignola’s work on Hellboy but leaning towards space opera. Stunning line work and colouring by Jake Lynch and Jim Boswell, respectively. The five pages here are coloured in deep oranges as High Commissioner Shrokulin finds himself in the unenviable position of meeting with Tsellest to deliver the news that there are hundreds more races hidden from his clutches. The meeting, as if it needs pointing out, does not go well! I’ll be reading back issues to bring myself up to speed.

This being a 45th anniversary issue, it would have been a crime of Mega City One proportions not to include Tharg’s input beyond his usual welcoming editorial. Written by David Barnett, ‘Stars on 45’ brings together some of 2000AD’s most famous characters to help Tharg cobble together a song to mark the magazine’s birthday. It’s great fun, referencing Red Dwarf, Back to the Future, and above all else, Bill and Ted’s Excellent Adventure, as Tharg’s droids Larr-E, Kirl-E and M-O travel across the Thrillverse to kidnap Rogue Trooper, Judge Dredd, Judge Anderson (“She didn’t see that coming!”), Zenith, Ace Trucking Co., and Bad Company.

As well as marveling at the breadth of SF and science fantasy that has been a staple of 2000AD over the years, one of the many pleasures to be had is enjoying the humour. Always paying the utmost respect to the SF genre, with stories veering effortlessly from one sub-genre to the next, there’s always been a delightful knowingness and very British outlook on the societal and political shifts that have taken place over the past 45 years. Remember Strontium Dog kidnapping Ronald Reagan? Alan Moore’s works dripping with anti-Thatcherism acid and anarchy via D.R. & Quinch? It’s what makes 2000AD such an important comic, and reading this issue, the energy, devotion, imagination and sly humour are all still present and correct.


Reviewed by Christopher Witty




The Amazing Spider-Man #90 – Review

Gleason’s writing chops are nothing to mess with and pair beautifully with legendary artist Mark Bagley in a satisfying issue that I couldn’t put down, as far as verdicts go, you’re not going to get a better one than this.

The Amazing Spider-Man #90

Written by: Patrick Gleason
Artwork by: Mark Bagley
Published by Marvel
Released: 23/2/22

As a quick refresher, in the past couple of issues, Ben Reilly has been partially mind-wiped by those slimy rapscallions over at Beyond, the same dudes/dudettes that have unleashed the Queen Goblin on New York. On top of that, Old Peter Parker has managed to get back on his feet and is on his merry way to put an end to Queen Goblin’s reign of terror!

We begin with Beyond’s top dog, Maxine Danger tracing Ben Reilly as he swings across a bridge with Janine, who notices there’s definitely something off about Ben, which is where he confesses that he feels like he’s missing something in his mind (which, by the way, he totally is,  being brain wiped and all). He tells Janine that he just needs to focus and everything will be hunky-dory, but Janine knows that’s not good enough, it’s at that point that she spills the Intel she’s discovered about Beyond. Or rather, how they’ve set up the whole thing, sending out super-villains for Ben to stop so that they can get good publicity for themselves and their little Spider-man project. They decide that they’re going to take it to the top and go confront the big bosses at Beyond, but first, we’ve got some sweet, sweet action to attend to.

Pete is up in the skyscrapers, battling the new Queen goblin foe, which is where we get a ton of quality Spidey crack-ups, from getting confused with the X-men’s Goblin Queen to mentally crying for help as he barely manages to dodge the goblin’s blows. It’s moments like this where I feel Patrick Gleason really understands and gets the Spider-man character, I don’t feel like it’s one writer’s take on Spider-man, I just think of it as Spider-man, which is the best kind of writing. Of course, it’s great to actually know who’s writing a book by the tone it sets and dialogue and all the rest of the mumbo jumbo. But when it feels so much like the definitive, quintessential character, that’s when you know you’re doing a good job of writing a mainstream comic book. Obviously, it’s awesome to get some subversive material from creators not typically known for the superhero genre like, for example, Pete Bagge’s megalomaniacal Spider-man as well as a lot of other early 2000’s marvel books, which was a very interesting period for the company, but for Marvel’s flagship title, Pat Gleason does a fantastic job of realizing what readers want out of the main Spidey title. And speaking of what readers want, Mark Bagely is delivering some of his best work in the last 20 years in this issue as Spidey and the Goblin take their battle through offices, Spider-man billboards (with the Sam raising font, nice touch), and even subways. Every panel has energy inside it, there’s so much going on, but in a really good way, these pages are bursting at the seems with excitement and it really displays Bagely’s accumulation of skill on his 30-plus year tenure drawing the character. I, at least, got the sense that he must have really enjoyed penciling these issues and it shows great stuff.

Getting back to the story, the Queen goblin manages to use her unique “Goblins gaze” ability which she used successfully on the black cat’s last issue, which would have resulted in her death if not for the web-slinger arriving just in time. So Peter falls into the sea and goes through the whole “you’re not good enough” thing, but Spidey is able to defeat the hold it has on him, in his words “Doesn’t she realize self-doubt is kind of our thing?”. Pete manages to jump up out of the water and deliver the finishing blow to the latest addition to the Goblin Hall of shame.

Spider-man is able to get back onto the docks, where he meets up with MJ and the Black cat at that moment in all great superhero stories, where the previously split apart gang get back together again for the big finale, Peter is sent on his way to find Ben by his companions, but as we check up on Ben, he is kind of going a little bit insane, he’s not going evil insane, but Beyond have really scrambled his eggs to the point he doesn’t even remember Peter’s name when they meet up, but Ben pushes through it, and this installment ends with a page as awesome as when I found 20 pounds in a grid that one time, which means its totally awesome. Both Spider-men, suited up and ready to take Beyond down, Once and for all!


This issue was one of the best parts of Beyond to date, delivering all of those epic moments you know you love as we dive headfirst into what is bound to be an incredible final act of Spider-man: Beyond. Gleason’s writing chops are nothing to mess with and pair beautifully with legendary artist Mark Bagely in a satisfying issue that I couldn’t put down, as far as verdicts go, you’re not going to get a better one than this. Although if I had to make one small gripe, I would say that the Beyond company’s whole twist and game plan is a little predictable, but that is an issue that pails in comparison to all of the great aspects of this Spidey-saga. Join me soon for the next chapter!

9.5/10


Review by Leo Brocklehurst