Batman #117 – Review

While Batman fights it out with Peace Keeper-01, so that Miracle Molly might stop Scarecrow from unleashing his fear bomb on Gotham, Harley attempts to reunite Queen Ivy with her better half.

Batman #117
Writer: James Tynion IV

Art: Jorge Jimenez (“Fear State Part 6”) and Becky Cloonan & Michael W. Conrad (“Batgirls part 3: Can’t Hardly Wait”)

Colours: Tomeu Morey (“Fear State Part 6”) and Sarah Stern (“Batgirls part 3: Can’t Hardly Wait”)

Letters: Clayton Cowles (“Fear State Part 6”) and Becca Carey (“Batgirls part 3: Can’t Hardly Wait”)
Released: 16/11/21
Published by DC Comics

While Batman fights it out with Peace Keeper-01, so that Miracle Molly might stop Scarecrow from unleashing his fear bomb on Gotham, Harley attempts to reunite Queen Ivy with her better half.

After many months of buildup we finally get to the conclusion of James Tynion IV’s ‘Fear State’ cross-over epic. What he brings us is a story about free will and the resulting necessity of evil. In order for men to do good, they must have the freedom to do bad. One cannot exist without the other. This is something that Batman understands. We see it in his final conversation with Miracle Molly. Yes, he deals with the worst of people on a daily basis, but the knowledge that people are free to choose between right and wrong is ultimately what gives him hope. His primary battle then is the fight to bring those who live in darkness into the light even though he himself fights this battle dressed as a figure of darkness.

This theme of free will is explored further in a more metaphysical way with Queen Ivy and her other self, a copy created by Gardner, but consisting only of Ivy’s goodness. One is hardwired for self-preservation, whatever the cost, even if that means destroying all of Gotham. The other… not so much! But when the two merge, it is only then that Ivy becomes a whole person, capable of making a moral choice. I like what Tynion is going for here but, I have to admit, I am somewhat underwhelmed by the execution. Queen Ivy should not have been so quick to merge herself with the other Ivy. She is simply told that, “Hey, it would be really cool if the two of you got back together”, to which her response is essentially, “Oh, okay then!” At this point in the story she is a ball of rage, just about ready to annihilate the city, which better illustrates the point that Tynion is trying to make. So, to have her give in so willingly is far too anticlimactic. Harley and Gardner should have had much more of a fight on their hands in convincing (or even forcing) Ivy to merge with her good self.

Speaking of anticlimactic, one of the big villains of this entire ‘Fear State’ run, Simon Saint, isn’t even taken out of play “on screen”, as it were. No doubt most of that action all takes place in some other comic book that I’m expected to rush out and buy in order to get the full story. But I don’t blame Tynion for this. I have actually read some articles attacking Tynion for what many consider to be a lackluster ending to his run but I consider such attacks to be unfair in the extreme. For one thing, I don’t consider the ending we get here to be that lackluster at all. As I’ve already pointed out, at the very least, it has something to say and specific themes to explore whilst also wrapping things up. But I also consider it unfair to blame one man for a story that he’s had to write in such a way that the multiple other titles in DC’s Batman stable can slot their way into it. Such faults are the failing of DC comics in not allowing one writer, with a singular voice, tell their story without having to worry about what is going on elsewhere.

The final battle between Batman and Peace Keeper-01 is a satisfying one. I love seeing Batman turning his utility belt into a makeshift knuckle duster to even the odds. It’s a great visual that reveals batman’s confidence and ingenuity as well as his tired desperation. Jorge Jimenez’s artwork is also pretty awesome, with Batman’s broken eye piece in his cowl allowing that one eye to peer out from behind it, reminding me of the ‘Gotham By Gaslight’ version of the dark knight. The final conversation between Batman and Miracle Molly is also a nice moment, allowing us to see a lot more light in a character known for being the dark, cave dwelling vigilante.

At the end of this issue’s backup story, ‘Batgirls Part 3: Can’t Hardly Wait’, we finally get to see the person known as The Seer. It’s a disappointingly underwhelming sight to behold, as is most of the story itself, to be perfectly honest. Steph and Cass are hidden away for a few days in a dive of a hotel and that’s it! Aside from one creepy doctored image of Babs by The Seer, the artwork still irritates me and the story itself doesn’t really go anywhere. It just side-lines two characters for the sake of some “humorous” buddy antics, that I’m sure will appeal to teenagers, but which does nothing for me personally.


Verdict –
The final chapter of ‘Fear State’ serves as an examination on free will and the necessity of evil in a world filled with good people, while the Batgirls fail to impress, in a story that sees them side-lined.

  • ‘Fear State: Part 6’ – 4/5
    ‘Batgirls Part 3: Can’t Hardly Wait’ – 2/5

    Overall score – 3/5

Review by Bryan Lomax, 08/12/21

Alien #3 – Review

Compelling action that keeps the pages turning and a slow burn intriguing plot have this arc shaping up with promise…

Alien #3

Reviewed by Taz Maz

Written by : Phillip Kennedy Johnson

Art by : Salvador Larroca 
Published by Marvel

Released : July 2021

What a great cover! InHyuk Lee’s wonderfully dark Alien tail coiling around a troubled child’s face heralds issue #3 ; I eagerly anticipated it’s contents. Spoilers ahead….

Epsilon station, a Weyland-Yutani bioweapons and research facility is orbiting earth on a self – destruct trajectory.

Gabe Cruz has helped build the success of this station based on an encounter with Xenomorphs (Aliens) in the past. His son Danny, as part of a terrorist organisation have stolen a pass from him to get on to the station and in the process released the dangerous Xenomorphs. Cruz has had to come out of retirement to take the lead on the highly risky mission of trying to retrieve the mysterious “ALPHA” sample from Epsilon station is he is to have any chance of saving his son and preserving his legacy. 

Issue #3 is a seriously action packed issue as we are propelled in to the midst of an Alien attack, with Cruz and two Weyland-Yutani agents walking into a maelstrom of terror. The time around we open with a dying agent lying on the floor, ribs exploded open having been impaled by a Xenomorph in a swift attack. In a last act of defiance he manages to fire on the creature in the midst of a firefight where Cruz and the other agent looked to be facing certain death, causing the it to sweep up the heroic agent and flee with him. The encounter brings up flashback memories for Cruz of the first time he and a crew responded to a rescue call and came under attack from Xenomorphs.

Kennedy has done a great job in crafting a tense story full of intrigue. He also finds a way to add to depth through intriguing subplots that had me wondering how this arc might develop. During one scene, there is a mention of another mysterious and enchanting female looking Alien that Cruz has some mental connection with called ” The Dark One” . This “Dark One” was pictured back in the opening issue, who could not want to learn more!  Kennedy has dropped a great little back story that we are yet to see develop and possible links to plot in ways yet to be seen through Cruz’s flashbacks.

I have been consistently disappointed in Larocca’s Xenomorphs and inconsistency in drawing Cruz in previous issues, but I’m not going to rehash old reviews. What I will say is that his art is solid but at this point it just feels disconnected to the horror of the franchise and historical xenomorph art. In this issue there is so much in terms of visible xenomorphs that it detracts from some of the tension and mystery associated with what fans would associate as typical Alien horror. The art and the colors for the Aliens are bordering on cheery and too crisp to invite mystery, tension and the necessary foreboding tones. That feeling of the surprising attacking and not being so visible is lacking when they are front and centre consistently.

The lettering from Clayton Cowles is perfect for showcasing the artwork and complimenting the frenzied action and overall this issue reads well, with Kennedy doing a great job of getting the reader intrigued as to the the direction that this story may go. The clinical way Cruz kills his old friend Mitch who he knows cannot be saved is a touching and shocking moment and the emergence of two small Xenomorphs from the body is a nice unexpected twist from the conventional Alien gestation of one Alien per host.

Perhaps this is not the best jumping on point for this run and this may have been a difficult issue to open up on if you hadn’t already read issues one and two, but holds its own well enough to give the reader enough information so that they might be able to easily decide if this is the right kind of space-horror for them. 

Verdict 

Compelling action that keeps the pages turning and a slow burn intriguing plot have this arc shaping up with promise. Despite some minor artistic gripes over character consistency here and there, Marvel’s first Aliens run continues to impress.


Reviewed by Taz Maz 8/10/21