Tag Archives: Marvel

X-Men #3 – Review


X-MEN #3

Written by: Gerry Duggan
Art: Pepe Larraz
Colours: Marte Gracia

Released: 22/09/2021
Publisher: Marvel Comics

The X-Men have always spearheaded the weirder end of the Marvel universe (they’re not called ‘Uncanny’ for nothing!) and this has always been one of their greatest strengths. After a couple of issues that have been relatively straightforward as far as Marvel’s mutants are concerned (although excellent nonetheless), Gerry Duggan begins to lean into the bizarre for this third issue. Well, we say lean – dive headfirst might be more accurate. Electric elephants and robo-sharks, anyone?!

Duggan delivers another somewhat standalone piece here, albeit with another epilogue that shows that the story he is telling is anything but small. It’s skilfully balanced between moving the X-Men forward as the superhero team that they have once again become and reaping what they have sown following events stretching as far back as House of X/Powers of X. If Jonathan Hickman is the master of the long game, then Gerry Duggan is almost certainly his apprentice!

Until it’s quieter, continuity focused epilogue, this issue is essentially one big fight between the X-Men and the forces of ‘parasitic cockatiel’ The High Evolutionary, who turns up on Earth offering the mutants the chance to sterilise humanity, the greatest threat to the planet itself. It’s difficult to imagine what Xavier and Magneto’s answer to such an offer might have been in the early parts of Hickman’s run on the title; their actions were far from heroic at many points. But this team has very much cemented itself as a set of heroes from the get go, and the stage is set for a showdown that makes incredible use of the ever-impressive skills of artist Pepe Larraz. Every panel bursts with astonishing detail, but also big central focus points that leap out at the reader. This is an issue that’s worth a couple of extra read throughs – one to give justice to the pace that Duggan’s writing and Larraz’s broader strokes bring to proceedings, and another to take in every strange detail of the animalistic hordes that the X-Men face.

While the action itself is thrilling and The High Evolutionary makes for an intriguing villain, the route into the action does feel a tad rushed. It could have done with perhaps another page or two of lead in to dig a little more into the reaction of each of the mutants to the appearance of The High Evolutionary. While the standalone approach of each story month-on-month does work, in this instance it feels a little bit out-of-the-blue and the reasons for The High Evolutionary’s appearance on Earth are explained away all too quickly.

In contrast, the sub-plot of Orchis’ plans continues to be a slow-burn that leads to another excellent cliffhanger which hints at consequences aplenty for the actions of Charles Xavier over the past couple of years. The panels here are suitably moody and contrast in much the same way as the story at this point does to what came before – Pepe Larraz truly is one of the most versatile and talented artists in the Marvel stable.


VERDICT

Madness reigns in this third issue of Gerry Duggan and Pepe Larraz’s run and, boy, is it glorious. A slight misstep in the setup doesn’t detract from what is a simply eye-melting issue which foreshadows major upheaval both as a result of events way back and those that take place in this very issue. An issue of two halves, both of which are thoroughly entertaining.


Review by Nathan Harrison

The Amazing Spider-Man #75 Review



The Amazing Spider-man #75

Reviewed by Leo Brocklehurst

Written by: Zeb Wells 

Artwork by: Patrick Gleason
Released on 6/10/21

Published by Marvel Comics 

BEYOND IS HERE!

So I haven’t been THIS excited for Spider-man in quite a while now, I was hyped when this new run started because we finally got a change up from Dan Slott to Nick Spencer and my favourite artist Ryan Ottley was on the book aswell.

However, as the series progressed, we lost Ryan Ottley (on Spider-man, he is still very much alive) around the halfway point of the run and the plots got a little stale (Kings Ransom and the Chameleon Conspiracy to be specific). The stories were in my opinion, more exciting than the previous run but lacking the constant state of epic-ness and energy that the book had seen before, but now, I think things are finally going to be… amazing (forgive the pun) once again. Let’s dig in!

This time around, the story starts with a young Peter Parker walking the streets of New York with Aunt May, blowing up a piece of gum. Aunt May realises she never bought that for Pete and asks where he got it from, Peter doesn’t understand what he did but said “it felt too easy”. They end up going back to the store and paying the store clerk for the gum and once they get home uncle Ben asks to talk to Peter, giving him a speech about the man who you are in private and that you can’t hide from him. Ben turns around, disfigured by a hole in his face with spiders crawling out of it and we soon discover it was just a dream.

Peter wakes up miserable over Harry’s death (last ish) and decides to go get some fresh air outside, on a specific building where its quiet and solitary, where he has nothing to worry about. I always like little things like this, they communicate to readers that Peter is a human being; he still faces problems and tribulation and has his safe spaces of his own to go to, they really drive home the “everyman” aspect of the character. Once he gets up onto the roof of this building he sees another Spider-man swing past?! Spidey throws a slue of tricks at the imposter but they prove useless; his webs bounce right of the shady character and they run right through the wall Peter pulls down on them. Following that, a spider looking device is deployed and wraps Peter up, allowing the doppelganger to escape. The device tells Peter that he will be let go in an hour and he should use this time to “reflect on his life’s decisions” Which might be the funniest thing I’ve read all year.

The following day, Pete runs into Ben Reilly (who last appeared in Iron man a few years back I believe but I’m sure you’re familiar with the character from the infamous clone saga storyline back in the mid 90’s). They talk in a restaurant and Ben reveals it was him who was running around the night before and that’s what he’s come to talk to  Peter about. The beyond corporation has hired him to be Spider-man after acquiring the trademark to the hero from the now defunct Parker industries (the company Otto Octavius began when he was in control of Peter’s brain, when Peter regained control he totally tanked the company and had to sell off all the assets although he was unaware Otto had trademarked the Spider-man name). Ben came to tell him that he wasn’t asking to be a Spider-man but that he will be, like it or not. After all, they both have the same moral code so its not like you can keep him out of the fight. Peter has no choice but to accept it and they go their own ways.

Ben returns to his penthouse in the beyond tower to his girlfriend Janine, who just got out of prison last issue. There’s a pretty nice moment where they take in just how different their living conditions are now from a few years ago until its interrupted by Reilly’s overseer of sorts to partake in some sort of session.

We cut to later as the (typically hulk villains) U-foes are carrying out a mission when Peter arrives on the scene to stop them, he makes a joke about the stench that X-ray carries when they reply that the joke wasn’t funny the first time when, all of a sudden, Reilly breaks through the debris under him. They team up against the villains and hold their own until X-ray let’s out an explosion of ionising radiation, reducing the area to Rubble; as Ben recovers (due to his radiation proof suit) and goes to re-group with Peter he sees that Pete’s been injured pretty bad and as he falls to the ground and blacks out, the issue ends.

Things look pretty rough for Peter but it makes for one heck of a story! Before I talk about anything else I just want to talk about beautiful wrap around cover by comic book veteran Arthur Adams! This cover was jaw-droppingly gorgeous and the solicited covers for the beyond books look incredible, in other news, I loved this book! Pretty sure this is my favourite issue of Spider-man since the red goblin arc in 2018.




I didn’t realise how much the title was coasting until I came out of it and beyond looks like a non-stop thrill rife and I can’t wait!!! I’m pretty sure they had me in mind when they made the series thrice-monthly if I’m being completely honest. Zeb Wells writing was funny, exciting and did a spot-on job of all the characters personalities and the like although Wells is no newcomer to ASM, he’s done several short stories in other spider-books and scripted the awesome storyline SHED back in 2010 with legendary artist Chris Bachalo. Patrick Gleason’s art in this book is really just brilliant, I love the way he draws Spidey but I just have one teeny, tiny nit-pick on the artwork which is that it can be pretty inconsistent. I double checked and he is the only pencilled on the issue but it looks like it can be two different styles at some points. In parts, peter looks in style with Gleason’s art but in others he looks like a 3-d tracing. It’s the only problem I’ve had with his art, I don’t know whether he gets worn out or if he’s just experimenting with different styles but when that’s my biggest complaint with a comic you know it’s good, it’s sooooo good. BUY IT!


10/10

Reviewed by Leo Brocklehurst 14/10/21

Alien #3 – Review

Alien #3

Reviewed by Taz Maz

Written by : Phillip Kennedy Johnson

Art by : Salvador Larroca 
Published by Marvel

Released : July 2021

What a great cover! InHyuk Lee’s wonderfully dark Alien tail coiling around a troubled child’s face heralds issue #3 ; I eagerly anticipated it’s contents. Spoilers ahead….

Epsilon station, a Weyland-Yutani bioweapons and research facility is orbiting earth on a self – destruct trajectory.

Gabe Cruz has helped build the success of this station based on an encounter with Xenomorphs (Aliens) in the past. His son Danny, as part of a terrorist organisation have stolen a pass from him to get on to the station and in the process released the dangerous Xenomorphs. Cruz has had to come out of retirement to take the lead on the highly risky mission of trying to retrieve the mysterious “ALPHA” sample from Epsilon station is he is to have any chance of saving his son and preserving his legacy. 

Issue #3 is a seriously action packed issue as we are propelled in to the midst of an Alien attack, with Cruz and two Weyland-Yutani agents walking into a maelstrom of terror. The time around we open with a dying agent lying on the floor, ribs exploded open having been impaled by a Xenomorph in a swift attack. In a last act of defiance he manages to fire on the creature in the midst of a firefight where Cruz and the other agent looked to be facing certain death, causing the it to sweep up the heroic agent and flee with him. The encounter brings up flashback memories for Cruz of the first time he and a crew responded to a rescue call and came under attack from Xenomorphs.

Kennedy has done a great job in crafting a tense story full of intrigue. He also finds a way to add to depth through intriguing subplots that had me wondering how this arc might develop. During one scene, there is a mention of another mysterious and enchanting female looking Alien that Cruz has some mental connection with called ” The Dark One” . This “Dark One” was pictured back in the opening issue, who could not want to learn more!  Kennedy has dropped a great little back story that we are yet to see develop and possible links to plot in ways yet to be seen through Cruz’s flashbacks.

I have been consistently disappointed in Larocca’s Xenomorphs and inconsistency in drawing Cruz in previous issues, but I’m not going to rehash old reviews. What I will say is that his art is solid but at this point it just feels disconnected to the horror of the franchise and historical xenomorph art. In this issue there is so much in terms of visible xenomorphs that it detracts from some of the tension and mystery associated with what fans would associate as typical Alien horror. The art and the colors for the Aliens are bordering on cheery and too crisp to invite mystery, tension and the necessary foreboding tones. That feeling of the surprising attacking and not being so visible is lacking when they are front and centre consistently.

The lettering from Clayton Cowles is perfect for showcasing the artwork and complimenting the frenzied action and overall this issue reads well, with Kennedy doing a great job of getting the reader intrigued as to the the direction that this story may go. The clinical way Cruz kills his old friend Mitch who he knows cannot be saved is a touching and shocking moment and the emergence of two small Xenomorphs from the body is a nice unexpected twist from the conventional Alien gestation of one Alien per host.

Perhaps this is not the best jumping on point for this run and this may have been a difficult issue to open up on if you hadn’t already read issues one and two, but holds its own well enough to give the reader enough information so that they might be able to easily decide if this is the right kind of space-horror for them. 

Verdict 

Compelling action that keeps the pages turning and a slow burn intriguing plot have this arc shaping up with promise. Despite some minor artistic gripes over character consistency here and there, Marvel’s first Aliens run continues to impress.


Reviewed by Taz Maz 8/10/21

Darth Vader #16 Review

Darth Vader #16

Reviewed by Nathan Harrison

Written by: Greg Pak

Art: Raffaele Ienco

Released: 15/09/2021

Publisher: Marvel Comics

One of the biggest advantages of a major crossover event such as War of the Bounty Hunters is that stories can be told from all sides. Comic books only have so many pages that they can fill, so telling a story with an epic scope and dozens of key characters can sometimes be hampered by simply not having enough space to cover every potential aspect. This issue is a prime example of the comic book event doing what it always should, as events depicted in Darth Vader #16 run in tandem with the recently released fourth issue of the core mini-series and it makes for a thrilling aside which could not have been given adequate room to breathe had it been placed into the already very hectic main issue.

What we’re presented with is a heart in mouth, cat and mouse chase of an issue, which sees Luke feeling the hot breath of Vader’s TIE fighter down his exhaust ports once more, while a number of ongoing plot strands come together at breakneck pace. The shift between each aspect of the issue is deftly handled by Greg Pak, and Raffaele Ienco’s art remains simply stunning throughout, from the opening broad panels continuing the trippy fever dreams of an obsessed Vader (rendered in a wonderful murky crimson by Jason Keith and Rachelle Rosenberg) to the frenzied space chase that forms the crux of ‘Target Skywalker’.

One of the most iconic aspects of Star Wars (among an absolute plethora of them) is the masterful sound design of Ben Burtt. Without the imposing scream of the TIE fighter, the phasery slap of the lasers and the instantly recognisable beeps and woops of a concerned R2-D2, original trilogy dog fights would be a shadow of what they are. Props, then, to VC’s Joe Caramagna for his lettering across this issue, which shoots each sound straight between your eyes. His letters sometimes almost take over entire panels, just as the sounds themselves take over the senses when watching one of the movies – it’s pitched just right and shows that even a comic book, usually made up of no more sound than the occasional turn of the page, can become an absolute cacophony in the right hands.

Amongst all the action and the noise, however, Pak continues to deliver some of the best dialogue across all the Star Wars comics, especially when dealing with Ochi of Bestoon and Administrator Moore, whose face-off towards the end of the issue almost makes for a bit of light relief before the devastating conclusion which, much like its equivalent in the core series, sets up one hell of a final battle to come.


VERDICT

Pak and Ienco continue to produce an excellent book, which turns into a white-knuckle roller coaster for its 16th issue. The pace is such that it almost feels as if it’s over in the blink of an eye, but what that eye sees for the duration of the issue is some beautifully conceived space battle art and some of the best storytelling in the Marvel Star Wars roster.


Review by Nathan Harrison


Star Wars: War Of The Bounty Hunters #4 – Review

STAR WARS: WAR OF THE BOUNTY HUNTERS #4
Reviewed by Nathan Harrison

Written by: Charles Soule

Art: Luke Ross with David Messina

Colours: Neeraj Menon with GURU-eFX


Released: 15/09/21

Publisher: Marvel Comics

Though issues of their own title have formed part of the wider narrative of the War of the Bounty Hunters event, the main characters from the excellent Bounty Hunters series have been (mostly) conspicuous by their absence in the titular mini-series that acts as the linchpin of the 34-part narrative. That is, until now, and it was certainly worth the wait.

The focus of the series has understandably been on the heroes of The Skywalker Saga, but the ongoing story of the cyborg bounty hunter, Vallance, and his connection to Han Solo has been a truly compelling one. Finally seeing this play into a narrative which, despite not actually featuring him, is all about Han pays true dividends here. Seeing Vallance and Dengar tussle with Boba Fett is a punch-the-air moment, especially as it is depicted in the dynamic style of Luke Ross and the bright, characterful colours of Neeraj Menon. This title is where the disparate parts truly come together, not just from a narrative perspective, but visually also, as the approach to every character is brought under the umbrella of one incredibly skilled team.

Like all the best final acts of any Star Wars story, this lead-up to the conclusion jumps between sets of characters at the drop of a hat, whilst keeping the reader engaged with each thread of the events. Soule is the master of the balancing act – between swathes of characters all in different places, in altogether different situations, and between plot and pace. The plot drives forward inexorably and without any awkwardness or ham-fisted exposition, yet action and fun are still placed firmly at the forefront. This issue goes from the aftermath of the Scoundrel’s Ball to the surface of the planet Jekara, to the depths of space filled with swarms of ships in the blink of an eye without missing a beat. Soule’s impressive pacing must be a challenge for any artist, but it’s one that Ross and Menon rise to with aplomb, imbuing every distinct scene with oodles of charm.

All this flitting about leads to a corker of a final page, which sets the stage for an epic final battle as various chickens come home to roost, with major implications for the final throes of the narrative.


VERDICT

As the core mini-series of this massive event nears its conclusion, it’s great to finally see some more major players enter the fray as things hot up for a final showdown that’s bound to pop right off the page. After many, many issues across 5 titles, the majority of the pieces are in place thanks to Soule’s continued uncanny ability to perfectly blend plot and fast-paced action. Roll on issue 5!


Review by Nathan Harrison 25/9/21

This Month’s 10 Hottest Pre-Order Picks From WowComix.com!


Whether you’re looking to get a head start on your Christmas shopping a little early this year, or for some exciting new comics, graphic novels or action figures to add to your collection, here at Wow Comix we have a mountain of awesome new items currently available for pre-order! We’ve put a small list together of some of our personal favourites, featuring new products from well-known publishers and brands alongside a few things you may not have seen before. So if you’re in the mood to treat yourself or a loved one but you’re not too sure where to start, keep reading for some of this winter’s hottest (or should that be coolest?) new titles and collectables!


10. Buffy The Last Vampire Slayer #1

Due to be released this December, Buffy is back as we’ve never seen her before!

Can a lone Slayer save what’s left of humanity?

Buffy Summers is the last Slayer. Now in her 50s, she wages a one woman fight against the forces of darkness, who prey on humanity in the daylight unimpeded thanks to a magical catastrophe that has nearly blotted out the sun.

The same disaster robbed Buffy of her friends and ended the Slayer-line, forcing her into an endless guerilla war. That is, until she stumbles across something she hasn’t seen in a long time – hope, in the form of a prophecy and the young girl who carries it.

The Multiverse explodes as writer Casey Gilly (Femme Magnifique, You Died) and artist Joe Jaro (Firefly) bring you a dystopian tale of Buffy Summers as you’ve never seen her before for fans of Wonder Woman: Dead Earth, Batman: Last Knight On Earth, and Future State: Wonder Woman.

https://wowcomix.com/buffy-the-last-vampire-slayer-1-08-12-21-dynamite-comic/



9. Attack On Titan Omnibus Volume 2

The latest collected edition from the massively successful Attack On Titan manga series, this outing sees the Survey Corps trying dangerous new tactics to reclaim their land from the human-devouring Titans!

It’s never been easier to attack Attack on Titan than with these new, giant-sized 3-in-1 omnibus editions! The Survey Corps develop a risky gambit – have Eren in Titan form attempt to repair Wall Rose, reclaiming human territory from the monsters for the first time in a century. But Titan-Eren’s self-control is far from perfect, and when he goes on a rampage, not even Armin can stop him! With the survival of humanity on his massive shoulders, will Eren be able to return to his senses? This omnibus includes volumes 4-6.

https://wowcomix.com/attack-on-titan-omnibus-volume-2-08-12-21-kodansha-graphic-novel-tp/


8. Devil’s Reign #1

Kingpin (AKA Wilson Fisk) has gone from crime boss to mayor of New York and his new-found political power (coupled with his rather large evil streak) could lead to the downfall of our favourite Marvel superheroes!

The story that’s been building for years is here! Wilson Fisk went from Kingpin to mayor of the biggest city in America and is going to bring his full criminal and political power to bear on the super heroes who call NYC home. The man who once destroyed Daredevil has set his sights on The Fantastic Four, Iron Man, Captain America, Spider-Man, Jessica Jones, Luke Cage and more. And since it’s Fisk, once he takes them all down, you know he’s going to sign it.

CROSSBONES! TASKMASTER! TYPHOID MARY! SHOCKER! WHIPLASH! RHINO! KRAVEN! Fisk has an ARMY of super villains at his command—and this is just his opening salvo. For years, Fisk has waited for his time to strike, and YOU WON’T BELIEVE the aces he’s got up his sleeves!

https://wowcomix.com/devils-reign-1-01-12-21-marvel-comic/



7. Star Wars: The Vintage Collection Clone Wars Aayla Secura Figure

A fan favourite from the Clone Wars animated series, here’s Jedi Knight Aayla Secura complete with robe and lightsaber!

Celebrate the legacy of Star Wars, the action-and-adventure-packed space saga from a galaxy far, far away, with premium 3.75-inch scale figures and vehicles from Star Wars The Vintage Collection. Figures feature premium detail and design across product and packaging inspired by the original line, as well as the entertainment-inspired collector grade deco that fans have come to know and love. (Additional products each sold separately.  Subject to availability.)

A cunning warrior and Jedi Knight during the rise of the Clone Wars, Aayla fought alongside Clone Commander Bly on many exotic battlefields

Featuring premium detail and design across multiple points of articulation inspired by Star Wars: Clone Wars, this collectible Star Wars The Vintage Collection 3.75-inch-scale figure makes a great gift for Star Wars fans and collectors.

https://wowcomix.com/star-wars-the-vintage-collection-clone-wars-aayla-secura-figure-01-04-22-hasbro/



6. Disney’s Stitch: Stitch & The Samurai Volume 1

Whilst on the run from galactic authorities, loveable alien Stitch finds himself mistaken for a tanuki and taken under the wing of a Samurai Warrior!

While fleeing the Galactic Federation, Stitch’s spaceship malfunctions and he makes an emergency landing… not in Hawaii, but in sengoku-era Japan! Discovered by the brutal warlord Lord Yamato and his clan, Stitch’s incomparable cuteness is no match for the battle-weary samurai, who decides to bring the “blue tanuki” home with him. Will Stitch’s love of chaos turn into a formidable advantage for the samurai’s influence? Or will his cute and fluffy form disarm the noble lord’s stern facade?

https://wowcomix.com/disneys-stitch-stitch-the-samurai-vol-1-10-11-21-tokyopop-graphic-novel-tp/




5. Swamp Thing: Green Hell #1

New from author Jeff Lemire and artist Doug Mahnke comes a DC Black Label gore-fest straight from the swamp!

The Earth is all but done. The last remnants of humanity cling to a mountaintop island lost in endless floodwater. The Parliaments of the Green, the Red, and the Rot all agree: it’s time to wipe the slate clean and start the cycle of life over again. And to do so, they’ve united their powers to summon an avatar—one of the most horrific monsters to ever stalk the surface of this forsaken planet. Against a creature like that, there can be no fighting back…unless you have a soldier who understands the enemy. Someone who has used its tactics before. Someone like Alec Holland.

Of course, it would help if Alec Holland hadn’t been dead for decades…

Jeff Lemire—the author of the smash hits Joker: Killer Smile and The Question: The Deaths of Vic Sage, along with the graphic novel that inspired the television sensation Sweet Tooth—returns to Black Label with one of the greatest artists in modern DC history, Doug Mahnke, in tow! Together they’ll unleash a gory, gruesome monster mash, where the fate of humanity rests in the hands of someone who isn’t human at all!

https://wowcomix.com/swamp-thing-green-hell-1-28-12-21-dc-comic/




4. Loki: Glorious Purpose Poster

Here’s one for fans of the hugely successful Disney + show, add a little mischief to your wall with this awesome Loki poster!

It’s time to embrace the true powers of Loki as you add this awesome poster to your home. Featuring the God of Mischief himself, this is sure to be the perfect way to show off your love for the future Marvel classic. Official merch.

https://wowcomix.com/loki-glorious-purpose-poster-31-12-21-pyramid-international/


3. Star Wars: Life Day #1

Inspired by the infamous Star Wars Holiday Special, get into the festive spirit with Han and Chewie!

THE GALAXY’S FAVORITE HOLIDAY!

Happy LIFE DAY! Celebrate the galaxy’s favorite holiday with a collection of festive tales from all across the STAR WARS SAGA! Life Day is the last thing on HAN SOLO’S mind when he and CHEWBACCA find themselves outgunned and under fire. But Chewie won’t give up hope, remembering the lessons of Life Days past and present. As for Life Days yet to come… Well, they’ll have to survive the night first!

https://wowcomix.com/star-wars-life-day-1-17-11-21-marvel-comic/


2. Pokemon: Articuno Articulated 6 Inch Figure

An ice type Pokemon perfectly suited to the coming winter season, this new addition to the Pokemon select range is a must-have!

With more detail, more points of articulation, and more ways to play and display than ever, this 15cm super articulated Articuno is the perfect addition to any Pokémon trainer’s team! Every Select super articulated figure comes with 15+ points of articulation, high levels of detail, and a posing arm accessory so you can pose Articuno any way you’d like!

With authentic details that make this Articuno figure look like it flew right out of the Pokémon animated series, you can pose Articuno to recreate all of your favourite moments! Gotta Catch ‘Em All! Each sold separately.

https://wowcomix.com/pokemon-articuno-articulated-6-inch-figure-release-date-tbc-jazwares/



1. Absolute Doomsday Clock

Coming in 2022, the DC Universe meets Watchmen in this colossal-sized edition of the Doomsday Clock mini-series!

NOTHING EVER REALLY ENDS. The world of Watchmen collides with the DC Universe in a story that rewrites the past, present, and future of comics!

Doomsday Clock finally gets the Absolute treatment! Dr. Manhattan, a near-omnipotent being from the Watchmen universe, has been using his powers to rewrite the DC Universe–reshaping some heroes’ histories, erasing other heroes altogether, and playing with the fates of the good and evil alike.

But why? What does a godlike being from another world stand to gain from the DC Universe? The mystery remains, but now that our heroes know they’re being toyed with,what can they do to stop it? The clock is ticking…

From Geoff Johns, Gary Frank, and Brad Anderson, the critically acclaimed team behind Shazam! and Batman: Earth One, this collection includes the full groundbreaking 12-issue miniseries.

https://wowcomix.com/absolute-doomsday-clock-14-06-22-dc-graphic-novel-hc/


Fantastic Four #35 Review


Fantastic Four #35
Reviewed By Ross Kelly

Written by Dan Slott, Jason Loo and Mark Waid.

Art by John Romita Jr, Jason Loo and Paul Renaud.

Released September 15, 2021

Published by Marvel Comics

Three tales as Marvel’s first family celebrate their sixtieth birthday in this oversized anniversary epic.

The main feature is written by series regular Dan Slott with art by John Romita Jr and together they craft a fun time travelling adventure into the FF’s history. Kang the Conqueror, time surfing megalomaniac and his various incarnations are on the hunt for ‘The Prize’, a final gift left to Reed Richards by his father, which had been split into four pieces and hidden at different points in Richard’s time line. Naturally the Kangs want it, whatever it is, and that’s reason enough for each Kang to invade a different period in the team’s past.

First stop, the sixties and the team are still new, still coming to terms with their powers. The first Kang turns up with an army of loyal Sarcophobots (Robots dressed as Egyptian mummies, and my new favourite word) and using his future knowledge promptly defeats the fledging team. 

Trips to the nineties and noughties follow and its soon three nil to the Kangs, who bicker and gloat, like a bunch of evil Doctor Whos. I won’t spoil part four of the story but its safe to say that all is not lost and Reed Richards has a plan. It all ends when we find out what the Prize is, setting up the next issue and Slott’s on-going story.

The trips to the past are good fun and Slott and Romita Jr don’t try and emulate the styles of comics past. They have their own story to tell. Instead, we’re treated to some nice homage covers in-between each jaunt, which help set the scene and allow Slott to keep the story moving at a brisk pace helped along by Romita Jr’s quick, bombastic art.

After the main event come two back up features. A two-page spread written and draw by Jason Loo sees a trip to the park interrupted by The Mole Man in an echo of the Four’s first issue story from 1961.  Loo packs in the panels and the story reads like a choose your own adventure puzzle giving the reader four paths to follow to the inevitable gag punchline. It’s an entertaining diversion before the third offering, a fresh retelling of the team’s origin story written by Mark Waid with art by Paul Renaud.

This time the story is told from the point of view of Mr Fantastic and how he carries the guilt for changing his friends lives forever. It was his over confidence and arrogance that unintentionally caused the horrific transformations that changed Sue, Ben, Johnny into The Invisible Woman, The Thing and The Human Torch. And Renaud’s art definitely portrays the changes as horrifying. Particularly that of Johnny Storm who is drawn as a man literally burning alive. In the first moments after the transformation, they are presented as monsters, terrified of each other and themselves. Four individuals afraid and divided.

Richards imagines them as outcasts shunned by society, their old lives full of promise and hope, over forever. His redemption comes by changing this fate, using all his talents to give them new lives. One of fame and adventure. Turning them into a team of superstars. Heroes.

This is easily the best FF origin story I’ve read and any new fan experiencing the story for the first time is in for a treat. My favourite story of the three on offer.

Naturally there’s a strong theme of family linking the stories and especially highlighting its importance to Reed Richards himself. Both Slott and Waid acknowledge that for Richards, nothing is more important than his family.  


Verdict

Thoroughly enjoyed it. A great birthday issue with a marvellous time traveling romp and a fresh perspective on the team’s origin. Definitely worth a read for old fans and new. Plus, there’s a letters page, which is always a good thing.


Reviewed By Ross Kelly

Darth Vader #15 Review


DARTH VADER #15
Reviewed by Nathan Harrison.
Written by: Greg Pak
Art: Raffaele Ienco
Released: 25/08/2021
Publisher: Marvel Comics

One of the bigger flaws with Disney’s expansion of the Skywalker Saga on screen with Episodes VII-IX was the feeling of everything being rushed. Many plot points that could have done with some expanding upon were introduced with very little in the way of explanation and simply brushed aside as unimportant (see ‘Somehow, Palpatine returned’). The same could be said for a number of characters who were given very little development and backstory. 

While he didn’t appear in The Rise of Skywalker as a living, breathing part of the action, Ochi of Bestoon falls firmly into this category, his existence simply used as a way of progressing what little plot the film offered. What we do learn about him, a Sith devotee and the killer of Rey’s parents, is enough to make him an intriguing prospect for further investigation, something that Greg Pak has taken on and delivered brilliantly since issue 6 of his run. And now, in issue 15, Ochi gets his time to shine, as ‘The Assassin’s Choice’ sees his faith and loyalty to Vader put to the test.

Such a story requires a slight gear shift, which is a little jarring – the events here take place before those of War of the Bounty Hunters #3, which was released first. Once this slight frustration is put aside, however, what we’re left with is an issue that manages to progress the plot of the WOTBH event, at least from Vader’s perspective, whilst also serving as a fun diversion from the wider arc. Pak balances this beautifully despite the blistering pace of the issue, just as he does the interactions between Ochi and Vader. Ochi’s motormouth, almost nervous energy plays so well against Vader’s laconic terror and yet they both show the same level of skill, the same number of reasons to be feared – it’s a partnership that pays dividends, so here’s hoping that Pak doesn’t separate them any time soon. If Ochi’s fate in Episode IX is anything to go by, he’ll certainly be making waves amongst the Sith for some time to come. 

Raffaele Ienco’s artwork is as solid as ever – his consistency across this run has been something to behold, as is his consistency across single issues when moving from static conversations to all out action. In a title whose two main characters both wear face covering helmets, Ienco shows incredible skill in still managing to convey a sense of each of them, lending the right emphasis to the dialogue in the reader’s mind, as if he were in fact showing the features underneath, whether it’s Vader’s stoic near silence or Ochi’s talkativeness he’s approaching. The action scenes virtually pop out of the page, giving an astonishing sense of movement to Ochi’s fighting style whilst also allowing each panel to be simple to follow and understand. So many artists can create fast, frenetic sequences that are so busy that the reader has to force themselves to slow down to take in the detail, to the detriment of the pace they are trying to convey – this is a trap that Ienco never falls into as the issue zips by with every nuance intact. 

Every panel is eye-catching and the colours by Jason Keith gel wonderfully with Ienco’s lines, his use of various shades of red creating a cohesive look for the whole issue, whether Pak is progressing the plot or taking the reader into the heat of battle. 


VERDICT

Further insight into the relationship between Darth Vader and Ochi of Bestoon is expertly mixed with high stakes action to create an issue that simply has everything, right down to the stunning final splash page that seems designed to finally cement these two characters as an unstoppable duo. 


Reviewed by Nathan Harrison.


Amazing Fantasy #2 Review

Amazing Fantasy #2
Reviewed by Andy Flood


Story: Kaare Andrews
Art: Kaare Andrews
Letters: Joe Sabino
Published by Marvel Comics
Released: Aug 25th 2021

Another luscious cover awaits with issue #2 of Marvel’s Amazing Fantasy, again reminiscent of the pulp fantasy art of bygone times. We’re treated to the spectacle of a beleaguered Spider Man locked in underwater combat with a grotesque giant snake while a captive maiden and treasure await. It’s a scene full of nostalgia, bringing to mind many of the great illustrations from the sword and sorcery genre.

This gorgeous cover painting does a great job of making the reader wonder why Spidey finds himself in such a situation and why he’s wielding a dagger and a whole host of other questions. Some are answered ably in the ‘story so far’ blurb on the title page within. Broadly, World War II Captain America, teenage Spidey and young Black Widow find themselves in a strange land after having seemingly died or otherwise departed their plane of existence.

Each then encounter fantastical, fearsome and, in some cases, ethereal beings and become involved with the people of this new land. ‘Tribes’ picks up from the last instalment with a nightmare for Spidey, a journey for Cap’ and pampering for Black Widow. Each goes on to have different adventures with their adoptive tribes, revealing more of the world as the story unfolds. And what a world it is, full of sweeping vistas, dense forests and grand throne rooms. Equally interesting are its denizens, split into at least three factions in conflict.

It’s apparent that Kaare Andrews has enjoyed creating this world and he’s crafted a story which makes the integration of our super heroes into this almost classic fantasy setting a lot of fun to experience. As we go along for the ride, we see dragon flights, elves, orcs and more. We encounter danger, romance, conflict and intrigue. We, as readers, have a really good time. The creator’s passion for this project shines through and includes us in the excitement.

Andrews plays with different ideas in both the art and writing, using light and shadow along with vibrant colours and distinctive line work to great effect. He teases us with hints of what is going on in the world and suggestions of why our protagonists might be there while always keeping things moving forward.

Even after the mysterious reveal at the end of this chapter, this near one man show isn’t quite done with us. We are treated to some back matter showing some of the creative process, including a cover concept sketch and several page layout to finished colours examples. These insights should be included more often, as they deepen the appreciation for just how much goes into making a comic like this. Lastly, we get a sneak preview of next issue’s cover, and it’s a thing of beauty; reason enough, in fact to look forward to #3!

If all that doesn’t tempt you, we get even more value for money with this series, as each issue comes with a bonus digital edition code inside, for use on tablets, phones and the like. Being able to pan, scan, pinch and zoom to your heart’s content offers another way to enjoy this great title.


Verdict

It’s hopefully pretty clear by now that I love this pulp fantasy and sci-fi infused title and, for me, the covers alone seal the deal. That said, these are a great choice for someone wanting something unpretentiously entertaining from their comics or an adventure story to share with their kids. It’s a short run, which makes it manageable, and it has a genuinely unique feel. Give Amazing Fantasy a try, if you can. I think you’ll stay for more than just the covers.


Review by Andy Flood, 03/09/21


Star Wars: War Of The Bounty Hunters #3


STAR WARS: WAR OF THE BOUNTY HUNTERS #3
Reviewed by Nathan Harrison

Written by: Charles Soule
Art: Luke Ross
Colours: Neeraj Menon

Released: 18/08/21
Publisher: Marvel Comics

We have a saying here in Britain – ‘you wait ages for a bus and then two come along at once’. Doesn’t exactly roll off the tongue, but you get the idea. The same can be said, it seems, for unexpected but fun as hell fights in Star Wars comics, as Charles Soule and Luke Ross pack this latest issue with not one but two scraps for the ages.

Last issue saw Leia, Lando and Chewbacca almost quite literally bump into Boba Fett, teasing what promised to be one hell of an interesting collision of worlds. What follows here more than delivers on that cliffhanger, with everyone’s favourite Wookie facing up against the infamous bounty hunter. Across only a handful of panels, Ross delivers what must have been many a fan’s dream brawl for years, with Chewie egged on by a vengeful Lando.

But it’s not just the fight that makes this moment so wonderful to behold. The way Soule can write a conversation between characters who have historically been at each other’s throats that convincingly brings them on to something like the same side whilst still maintaining what makes each of those characters who they are is uniquely impressive. Amidst all the chaos that we’ve seen, not just in the mini-series but across the whole event, it’s great to be reminded in no uncertain terms of what drives Fett and nowhere is this more evident than in this brief encounter with the heroes of the Skywalker Saga.

As for the other fight…well…that’s probably best not spoiled, but fans of the myriad twists, turns and surprises that Soule has crammed into the previous two issues will not be disappointed, and what transpires across the second half makes for some of the most dynamic and impactful panels of the series so far – and that’s saying something when the quality of the art has been so high throughout. Neeraj Menon’s colour work is something really quite special that deserves to grace the pages of many more of Marvel’s titles, and its pastels and neon perfectly compliment Ross’ semi-cartoonish approach.

Like the previous two issues, Soule leaves things on a doozy of a cliffhanger, which still has real impact despite what we know about the fates of the main characters. It serves as a fitting end to a pulse-pounding, gasp-inducing third part to this story, and with the events of this issue driving the plot forward at a fair old lick, even amongst all the action, things only look likely to get more and more intense from here on out.


VERDICT

Soule, Ross and Menon continue to be the perfect team to put this series together. The consistency on show here proves that they were the best choice to create the core of this story. 34 parts overall is a lot and while most of the issues released so far have been excellent, there is room for bloat in such a vast project, as if often the case with such massive, all-encompassing events. This fast-paced, fun and energetic centrepiece could not be further away from such problems and represents some of the finest Star Wars storytelling on the stands right now.


Review by Nathan Harrison