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The Swamp Thing #5 Review


The Swamp Thing #5
Reviewed by Andy Flood
Written by: Ram V
Art: John McCrea
Colours: Mike Spicer
Letters: Aditya Bidikar

I’ve been looking forward to this issue of The Swamp Thing with genuine excitement, knowing that it would feature one of my favourite characters, John Constantine. Memories of his appearance in The Alan Moore run of Swamp Thing tales are still among my fondest when it comes to comics; seeing him lead Alec Holland through a dark, arcane and twisted learning journey was, and still is, a real treat. Fast forward to today and we have John joining Levi Kamei, latest Guardian of The Green to tackle a problem or two in ‘Survivor Bomb’.


I’ve been looking forward to this issue of The Swamp Thing with genuine excitement, knowing that it would feature one of my favourite characters, John Constantine. Memories of his appearance in The Alan Moore run of Swamp Thing tales are still among my fondest when it comes to comics; seeing him lead Alec Holland through a dark, arcane and twisted learning journey was, and still is, a real treat. Fast forward to today and we have John joining Levi Kamei, latest Guardian of The Green to tackle a problem or two in ‘Survivor Bomb’.

The original cover for this issue features yet more great art from Mike Perkins and Mike Spicer, depicting a bomb as part of the taint in The Green, red tendrils creeping forth and spreading their ills. It’s perhaps more directly emblematic of the interior story than the striking variant cover from Brian Bolland, who paints a more monstrous Swamp Thing, all shadows, claws dripping ichor and fierce glare. It is a dark and more symbolic cover, though both are excellent and leave the reader curious about what lies within.

The bulk of ‘Survivor Bomb’ takes place in London and opens in suitably dreary scenes of rain and dimly lit rooms. Just as Sierra Kirre calls on old magic and old ties to summon Constantine to help her find a friend, so too is Levi pulled into The Green and drawn to London. We learn of a darkness there centred around an unexploded bomb from World War II. Its insidious influence has been having serious repercussions, spreading and inciting hate, building on the tensions already present in the city.

Sierra’s friend Nigel is embroiled in this situation and, as the three main characters meet and work to save both him and the city beyond, we see the impact of human thought and action. Its ripples are evident both in the scenes of war and those in modern day London. They are seen further still as red taint in The Green. There is more here than bombs and hate…

Ram V continues to impress with his writing, handling a story that functions both as a standalone and as part of a larger arc. That he weaves in history, metaphysics and philosophy while still keeping us excited and engaged is quite a feat. As ever, we have the enticing sense of everything having meaning, of being interlinked. He presents Constantine in a very cool way and it’s clear that Ram V’s time spent with the character on Justice League dark has given him a great feel for how to work with him. Dialogue and narration are superb throughout and are supported and presented wonderfully by Aditya Bidikar’s lettering.

Artwork for this story is handled by John McCrea, who gives us hugely atmospheric scenes which retain the feel of the book so far while also giving tastes of his own distinct style. Every panel is one we are encouraged to return to after first reading so that we might see some detail we missed first time or indeed, just to enjoy the incredible visuals. When paired with Mike Spicer’s unique colours, we are transported through shifting landscapes of magic and tragedy. Atypical and very clever palette choices always serve to enhance our experience of the book. There is not a single lacklustre page to be found here.


Verdict

‘Survivor Bomb’ is another issue of Swamp Thing full of texture and nuance and is entertaining from start to finish. The appearance of John Constantine doesn’t disappoint and brings a deeper sense of the magical themes which have characterised and enhanced previous Swamp Thing stories. This series is nothing short of phenomenal and I cannot recommend it highly enough.


(Recommended by DC for readers age 13+)

Review by Andy Flood, 2/9/21


Batman #111 Review


Batman #111
Reviewed by Bryan Lomax

Writer: James Tynion IV
Art: Jorge Jimenez (“The Cowardly Lot Part Five”) and Ricardo Lopez Ortiz (“Ghost-Maker Chapter 4”)
Colours: Tomeu Morey (“The Cowardly Lot Part Five”) and Romulo Fajardo Jr. (“Ghost-Maker Chapter 4”)
Released: 03/08/21
Published by DC Comics

James Tynion IV does a truly great job on villain duty this issue. He is helped immensely with long-time Batman villain, Scarecrow, thanks to the amazing artwork of Jorge Jiminez and Tomeu Morey in ‘The Cowardly Lot Part Five’, which turns the villain into a truly scary, Jigsaw-like mad man. He becomes a viable threat towards Batman whereas, in the past, he has often run the risk of appearing like a B-lister.

I love that Tynion doesn’t get too precious with his own creations here too. Having brought us Peacemaker 01, building the villain up over the previous four issues, there might be a temptation there to show just how formidable he is at Scarecrow’s expense. But Tynion has no problem showing us where he sits on the rogues gallery totem pole, as Scarecrow takes centre stage and puts Simon Saint’s puppet in his place.

Not that I doubted for a second that Miracle Molly would get out of the predicament she found herself in at the end of the last issue, but I still couldn’t help breathe a sigh of relief that the character will live to fight another day, having grown rather attached to her.

Ghost-Maker chapter 4 properly gives us an introduction to the new villain, Razorline, a horrific self-made monster who, once again, gives off some serious movie-inspired vibes. For anyone who has seen the French horror film, ‘Martyrs’, you’ll know exactly what I’m talking about. This is a sick and twisted mind that has sought to gain some form of transcendence through pain.

The artwork by Ricardo Lopez Ortiz hasn’t really grabbed me until now. But his style seems to fit with the character of Razorline for some reason.

The only thing that I am seriously unimpressed with are the final words of the issue, which tell us that the conclusion to the Ghost-Maker storyline can be found in the upcoming Batman Annual #1. Personally I am of the opinion that annuals should feature self-contained stories, but that also, unless a particular story is part of a major crossover series then it should end within the pages of the title where it began. Otherwise it just feels like an attempt by the publishers to get you to pick up more titles.

Still, this is a great issue that makes me excited to read the conclusions to both storylines that feature within. Bring on Batman #112 and Batman Annual #1!


Verdict –

Ghostmaker is given a truly compelling villain and Batman faces off against perhaps the best iteration of the Scarecrow that I’ve ever seen.


Review by Bryan Lomax, 15/08/21

Sale on Funko Pop Pre-Orders!

Watch our Funko section on wowcomix.com over the next couple of weeks as we are adding a load of recent, ‘vintage’, to use the term loosely, and pre-order Funko Pops!

This week, smack your eyes on these hot pre-orders on sale from only £8.99!
There’s a sweet Deadpool Pride Edition up for grabs, a brand new Mandalorian holding Grogu (aww) and, well you can’t turn down a new Carnage Pop at that price… can you?

‘Venom 2: Let There Be Carnage sees the return of Tom Hardy as investigative reporter/symbiote host Eddie Brock and his violent alter-ego Venom, as they come face-to-face with the one and only Carnage! Here we have Venom’s arch nemesis Carnage, the symbiote hosted by the body of serial killer, Cletus Kasady. Add Carnage to your Funko collection today!’

Check out new and vintage Pops on wowcomix.com and we stock many in our shops!

Deadpool Pride Edition – Funko Pop! Vinyl

Star Wars: The Mandalorian: Pop! Vinyl Figure: The Mandalorian With Grogu

Carnage (889): Venom: Let There Be Carnage – Funko Pop Vinyl