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Batman #110 Review


Writer: James Tynion IV

Art: Jorge Jimenez (“The Cowardly Lot Part Five”) and Ricardo Lopez Ortiz (“Ghost-Maker Chapter 4”)

Colours: Tomeu Morey (“The Cowardly Lot Part Five”) and Romulo Fajardo Jr. (“Ghost-Maker Chapter 4”)

Published by DC Comics Released: 06/07/21

Review by Bryan Lomax


I stated in my review for the previous issue that I came into James Tynion’s story, “The Cowardly Lot”, somewhat late, but that I filled in the blanks with a quick search on the internet. Since then, I have gone back and read issue #106-#107, and I would highly recommend everyone doing the same if you haven’t already. Issue #107, in particular, really tells us who the character of Miracle Molly is, and what she stands for, in a way that makes me care for whether or not she will get out of the predicament we find her in by the end of issue #110. It also dives deep into the main themes of Tynion’s overarching story, adding more weight to events that happen in the current issue.

That theme is fear or, more to the point, societal fear. Tynion is asking, “where does that fear come from, why do we allow ourselves to be held prisoner by it and who stands to gain something from it?” The Scarecrow is obviously the perfect villain from Batman’s rogues gallery with which to explore that theme. But it’s still unclear as to where he fits into it all. Is he being used or is he the mastermind behind all that is happening in Gotham?

Then we have Simon Saint and his Peace Keeper program. Saint represents a threat that uses fear to achieve an agenda. And, while that agenda may ultimately be based on noble ideals, it’s execution reveals a complete lack of trust in the people it would supposedly serve. It is therefore no more than a vain attempt at making a play for power and control, marking Saint out as a true villain.

We have former Arkham security guard, Sean Mahoney, who takes up the frontman position of Saint’s Peace Keeper force. He represents much of what so many people today fear, particularly in the US, as their country becomes more and more divided, seemingly heading towards totalitarianism. If Gotham was to embrace Saint’s Peace Keepers then it might as well change its name to Mega City One.

The scary thing about Miracle Molly and the Unsanity Collective is that everything they say about the definitions of “sane” and “insane” and who gets to decide upon them makes for quite a convincing argument. The greatest system of control, Tynion argues, is fear and we are all caught up in it. But those who do not fear anything, such as Ghost-Maker, are labelled as psychopaths, even though, as this story shows, they might be the only ones we can count on to release us from our own prisons of fear.

These are the things I find myself thinking about as I read this issue, which is all down to the excellent story telling from Tynion. And once again I have to say that I’m really loving the artwork by Jorge Jaminez and the beautifully rich colours by Tomeu Morey.

I’m still not quite as keen on the artwork for the “Ghost-Maker” origin story, now in its fourth chapter, which kind of feels like Tynion is setting up a rogues gallery for his creation, that he can then use as a starting point, should the character get his own series. Beyond that there’s not much to complain about and I eagerly await the next issue.


Verdict –

The pairing of artist, Jorge Jimenez, with colourist, Tomeu Morey, works wonders in bringing Tynion’s compelling study on societal fear to life.


Review by Bryan Lomax, 17/07/21


Star Wars: War Of The Bounty Hunters #2 Review


Written by:
Charles Soule
Art:
Luke Ross
Released: 14/07/21

Publisher:
Marvel Comics

Review by Nathan Harrison


One of the joys of being a Star Wars fan is that if an enjoyable character is created to appear only once on screen, chances are that those who want to see more of them will not be disappointed by what the expanded universe has to offer. This can lead to some of the biggest surprises across all of the franchise – the cliffhanger at the end of issue 1 of this limited series was a prime example, with Qi’ra (played by Emilia Clarke in Solo: A Star Wars Story) revealed to be the mastermind behind the theft of Han Solo and the new leader of Crimson Dawn having been their slave just a few years prior. And now she’s ready to sell the helpless, carbonite-encased rebel to the highest bidder at ‘The Scoundrel’s Ball’!

In the first few pages, Charles Soule shows that he is a master at packing in as much important information into just a minute or so’s reading time, without drifting into clunky exposition. He is aided beautifully by Luke Ross’ art and layout – wide, cinematic panels are packed with creatures from across the galaxy as Soule introduces us to all the criminals looking to snap up access to the galaxy’s most notorious smuggler.




While the stakes are high for some of everybody’s favourite Star Wars characters, the issue is still packed chock-full of humour – even the bounty hunter fight of the century between Boba Fett and Bossk is shot through with uniquely grim slapstick, enhanced by Neeraj Menon’s bright pastel colours, which continue to bring something really quite special to this book. Such an encounter could have easily taken up a whole issue, but the few pages here are beautifully done before Soule returns to the meat of the story.

As if Luke Ross didn’t have enough of a challenge on his hands with the early panels at the ball, Soule then starts to bring a lot of the threads and main characters of this epic event together, with Ross given the responsibility of bringing to life a gamut of iconic faces new and old. Unsurprisingly, it’s an occasion he rises to meet fantastically – each figure is drawn with painstaking accuracy but with a hint of cartoonish charm that compliments the fun approach Soule has taken with this book so far.


VERDICT

The War of the Bounty Hunters event well and truly gets underway this issue, with almost all the major players assuming their positions by the final page – whatever happens next, it looks as though some of the most fun (and potentially quite bonkers) Star Wars comics since their relaunch with Marvel all the way back in 2015 are on their way.


Review by Nathan Harrison 18/7/21


Harley Quinn #1 Review

Writer: Stephanie Phillips
Art: Riley Rossmo
Colours: Ivan Plascencia
Letters: Deron Bennett
Released: 23/03/21

Published by DC Comics

Reviewed By Bryan Lomax


The first story, “Welcome Home”, in Harley Quinn’s new solo series, from writer Stephanie Phillips, offers a fresh take on the character. With the recent movie, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn, a film which I actually really loved, having been helmed by a female director, it’s nice to see DC Comics following suit, allowing one of their most beloved female characters to be tackled from a female perspective.

Phillips does an incredible job of showing us a complicated, multi-faceted character, that has too often been played for laughs at the expense of some real depth. Here, she is angry, smart, compassionate, violent and, yes, funny.

There isn’t much story to speak of within these pages if I’m being honest. But that’s not necessarily a bad thing at this point. Phillips just takes the time to set the scene, show us where Harley is at in her life right now, and give us a sense of her place within Batman’s world going forward.

She is a character trying to make amends for her past sins and, as Harley herself points out during one specific moment, “Everyone does love a good transformation story”. And seeing such a flawed character striving to earn redemption is definitely the kind of story I am drawn to.

The artwork by Riley Rossmo will take some getting used to for me. It’s not the kind of work that I usually go for, with exaggerated features, which often feel as though you have entered somebody’s fever dream. However, it is entirely in keeping with the character of such an often unreliable narrator as Harley.

We are introduced to a character, named Kevin, who could very well go on to become Harley’s side-kick. I can certainly see the potential there and there is something endearing about Harley taking someone under her wing who may just be crazier than she is.


Verdict:

A suitably chaotic first issue in this solo series for fan favorite Harley Quinn.


Review by Bryan Lomax, 16/07/21


What’s HOT in the Wow Comix stores this week?

WOW COMIX STRETFORD

Disney Princess Cinderella’s Castle/Play House

This palace (Castle?) is absolutely massive and would be a truly epic gift for any Disney fan!
Complete with an epic throne room at its heart and a rather trendy looking kitchen in its basement, its certainly stands out as a display piece, as much as it does a toy!
We see these going regularly quite high into triple figures online, but ours is available in the Stretford store this week for a flat £100! Snap it up while you can!



WOW COMIX STOCKPORT

New Trading Card Carousel

That’s right folks, the card table is no more! Hello carousel!

As you can see have packed this out with tons of goodies for all of you card hunters out there. You will find a large range of Pokémon, Yu-Gi-Oh! and Magic cards alongside vintage stickers, Football, movie and TV trading cards and even some unopened trading card packs from ‘The Crow’ amongst other odd classics.



WOW COMIX BURY

MOON KNIGHT #1

Some say he’s Marvels attempt at a super powered ‘Batman’… others say ‘Well…yeah’.

But he’s awesome nevertheless and we have a great condition copy of the premiere issue of Moon Knight in our Bury store right now.

Copies in this condition are rising in popularity and price at the moment, possibly in some part due to all of the hype around next years TV show, and so if you are looking to grade, this 40 year old classic is a solid investment right now at only £40!

TOY OF THE WEEK

Giant Power Rangers Megazord.

No, that’s not a new member of staff, that’s actually how big this awesome giant sized Megazord is, and you will find him guarding the till in our Stockport store now!

Take him home for only £35 this week!